Crediti di rappresentazione
Prossimi spettacoli Da oggi in poi
Spettacoli passati 1997 : ieri
Semyon Bychkov: Mahlers Sinfonie der Tausend, Mahler
NDR Elbphilharmonie OrchesterPater Profundus
Visualizza cast e team creativoRoméo et Juliette (Romeo e Giulietta), Gounod
The Metropolitan OperaComte Capulet (Il conte Capuleti)
Visualizza cast e team creativoKarina Canellakis conducts Haydn and Bartók with Alisa Weilerstein, HaydnBartók
Boston Symphony OrchestraA kékszakállú herceg (Il duca Barbablù)
Visualizza programma, cast e troupeSpettacoli passati in primo piano
Semyon Bychkov: Mahlers Sinfonie der Tausend, Mahler
NDR Elbphilharmonie OrchesterPater Profundus
Visualizza cast e team creativo
Roméo et Juliette (Romeo e Giulietta), Gounod
The Metropolitan OperaComte Capulet (Il conte Capuleti)
Visualizza cast e team creativo
Karina Canellakis conducts Haydn and Bartók with Alisa Weilerstein, HaydnBartók
Boston Symphony OrchestraA kékszakállú herceg (Il duca Barbablù)
Visualizza programma, cast e troupe
Prossimi spettacoli
12Das Rheingold (L'oro del Reno), Wagner, Richard
Theater BaselWotan
Visualizza cast e team creativosab19:00
Basilea, SvizzeraDie Walküre (La Valchiria), Wagner, Richard
Theater BaselWotan
Visualizza cast e team creativodom17:00
Basilea, SvizzeraDas Rheingold (L'oro del Reno), Wagner, Richard
Theater BaselWotan
Visualizza cast e team creativolun19:00
Basilea, SvizzeraDie Walküre (La Valchiria), Wagner, Richard
Theater BaselWotan
Visualizza cast e team creativomar18:00
Basilea, SvizzeraDas Rheingold (L'oro del Reno), Wagner, Richard
Theater BaselWotan
Visualizza cast e team creativosab19:00
Basilea, SvizzeraDie Walküre (La Valchiria), Wagner, Richard
Theater BaselWotan
Visualizza cast e team creativodom17:00
Basilea, SvizzeraHamlet, Thomas
L'Opéra de MontréalClaudius
Visualizza cast e team creativo
Biografia
Grammy, Juno and Echo Award winner Nathan Berg continues to captivate audiences around the world with his “oaken” (Financial Times), “solid, communicative” (New York Times), “dark-chocolate” (Vancouver Courier) “first-class voice” (Boston Globe) and as a “brilliant actor and a palpable presence on stage” (Financial Times). “A miracle of vocal ease and theatrical characterization” (ResMusica), “his technique is impeccable” (Opera News) and he possesses “a voice not only powerful and full of meaning, but of such velvet beauty” (The Times). With a repertoire that widely encompasses music from five centuries and an expansive discography, his ever-evolving career continues to grow from strength to strength. Nathan begins and ends an exciting 23/24 season as Wotan in Wagner’s Das Rheingold and
