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Tenor (+3)

Tenor, Schauspiel, Dramaturgie, Übersetzung

Nick Richardson

Tenor

Schauspiel

Dramaturgie

Übersetzung

Artist

Approved

Nick Richardson sings, acts, and moves.
He’s a dramaturg and a theatre scholar.
¡Y habla español!
PERFORMER
Nick’s performance credits span musical theatre, opera, and film. He also has experience devising original works. He has performed with Virginia Opera, Virginia Arts Festival, Virginia Musical Theatre, Zeiders American Dream Theater, and local community theaters.
Nick performed in 11 opera productions while a student at Florida State University, including the academic premiere of Prince of Players by Carlisle Floyd and a new abridged version of The Three Feathers (Lori Laitman/Dana Gioia). He studied voice with mezzo-soprano Phyllis Pancella.
Nick currently sings at Old Donation Episcopal Church and studies with mezzo-soprano/contralto Sondra Gelb.

DRAMATURG
Nick is currently working on two projects: a new musical in development at UNC Charlotte about the 1929 Loray Mill strike, and a presentation on mid-century American opera for The Douglas Moore Fund.
Nick has worked in dramaturgy and supertitles for The Glimmerglass Festival since 2019. He designed the titles for the world premieres of The Rip Van Winkles (Ben Moore/Laura Fuentes) in 2023 and The Jungle Book (Kamala Sankaram/Kelley Rourke) in 2022. He continues to write content for their publications.
In 2019, Nick translated the libretto and designed the supertitles for Daniel Catán’s Il Postino, a co-production between Virginia Opera, Opera Southwest, and Chicago Opera Theatre. These titles were also seen at Opera Santa Barbara. Nick also designed and operated the titles for Virginia Opera’s 2019 production of Tosca (Puccini/Illica & Giacosa).
At FSU he served as production dramaturg for A New Brain (William Finn/James Lapine), A Day in the Death of Joe Egg (Peter Nichols), and a devised piece based on Shakespeare’s The Tempest.

SCHOLAR
Nick’s primary scholarly interests include musical theatre, dance/movement studies, and gender/sexuality.
His case study on Channing Tatum’s performance on the popular American TV show Lip Sync Battle appears in the 1st edition of Routledge’s Dance in US Popular Culture (2023), edited by Jennifer Atkins.
Nick’s writings have appeared in Southern Theatre magazine and in multiple publications by The Glimmerglass Festival.
He has presented original scholarship at Song, Stage & Screen; Mid-America Theatre Conference; and Southeastern Theatre Conference, who named Nick their Undergraduate Young Scholar in 2016.
Nick holds an M.A. in Theatre Studies from Florida State University. His master’s thesis articulates the queerness of William Finn’s musical A New Brain both on the page and in production. He also earned his B.A. in Theatre and Spanish minor at FSU, and he studied performance at Theatre Academy London.

MORE
Other roles that Nick has taken on:

Assistant choreographer
Spotlight operator
Deckhand
Sound board operator
Stage manager
Front-of-house greeter
Resident Assistant (RA)
Long-term substitute teacher
Guest lecturer
Election Official
…and who knows what next?!

Englisch

Nick Richardson / Biografie

Biografie

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