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Bel Canto Beauty at St George's Hanover Square: Bellini's Beatrice di Tenda

Conducting a technically secure and musically alert London City Philharmonic Orchestra, Olsi Qinami’s no-nonsense approach built the scenes effectively, particularly the long trial scene leading to Filippo’s judgement.

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26 August 2019www.operatoday.comClaire Seymour

Frühere Produktionsrezensionen

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Piano Concerto No. 2 in C Minor, op. 18, Rachmaninoff
C: Olsi Qinami
Concert Review: A Brilliant Performance at St James’ Church Sussex Gardens

Both works were played superbly. The piano soloist Angela Szu-Hsuan Wu played what seemed like a technically challenging piece by Rachmaninov with great verve and skill, and deserved the tumultuous applause that followed the performance. After a short interval, the orchestra increased in size, getting ready to tackle “The Rite of Spring”. Olsi mounted the conductor’s stand to face an enormous orchestra.

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