Name: 2. Sinfoniekonzert
Start: 2023-10-08T00:00:00.000Z
End: 2023-10-09T00:00:00.000Z
Location: Staatstheater

Organization

Conductor

Hendrik Vestmann

Instrumentalist

Cellist

Alban Gerhardt

Cello

Oldenburgisches Staatstheater

Orchestra

Oldenburgisches Staatsorchester

2. Sinfoniekonzert

Oldenburg

Germany

Staatstheater

Großes Haus

Public

Prélude Solennel

Cello Concerto in B Minor, op.104

Symphony in D minor

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Singer

Tenor

Bass-baritone

Baritone

Soprano

Contralto

Countertenor

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

With his 'Prélude Solennel', Eduard Tubin created a musical commitment to his home country from Estonian melodies before fleeing the Russian invasion in 1944 to Sweden.

In the “New World”, wistfully thinking about his native Bohemia, Antonín Dvořák wrote one of the most popular cello concertos of all time in the winter of 1894/95. Alban Gerhardt plays the solo part in Oldenburg, whom The Guardian praised as "one of the most subtle cellists far and wide": "expressive, without gimmickry and noble."

In the 1880s, the Parisian Société Nationale de Musique fought for an upscale French style of music in contrast to growing "decadence". In this sense, Société member César Franck wrote his only symphony shortly before the end of his life, in which he clearly shows with a central quotation from Beethoven that “national” does not have to mean “nationalistic” by any means.

English

Aus estnischen Melodien schuf Eduard Tubin mit seinem ‚Prélude Solennel‘ ein identitätsstiftendes musikalisches Bekenntnis zu seinem Heimatland, bevor er 1944 vor der russischen Invasion nach Schweden floh.

In der „Neuen Welt“ wehmutsvoll an das heimatliche Böhmen denkend, schrieb Antonín Dvořák im Winter 1894 / 95 eines der beliebtesten Cellokonzerte aller Zeiten. In Oldenburg spielt den Solopart Alban Gerhardt, den ‚The Guardian‘ als „einen der weit und breit feinsinnigsten Cellisten“ rühmte: „ausdrucksstark, ohne Effekthascherei und edel.“

In den 1880er-Jahren kämpfte die Pariser Société nationale de Musique um einen gehobenen französischen Musikstil in Abgrenzung zu wachsender „Décadence“. In diesem Sinne schrieb auch Société-Mitglied César Franck kurz vor Lebensende seine einzige Sinfonie, in der er mit einem zentralen Beethovenzitat deutlich zeigt, dass „national“ noch lange nicht „nationalistisch“ bedeuten muss.

Deutsch

2. Sinfoniekonzert by Tubin, Dvořák, Franck, De (2023/2023), Director musical Hendrik Vestmann, Staatstheater, Oldenburg, Germany

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