Name: A Hand of Bridge
Start: 2020-01-17T00:00:00.000Z
End: 2020-01-25T00:00:00.000Z
Location: Teatro La Fenice

Admin

Organization

Singer

Tenor

Christopher Lemmings

Bill

Contralto

Manuela Custer

Sally

Conductor

Diego Matheuz

Stage director

Fabio Ceresa

Set designer

Massimo Checchetto

Costume designer

Giuseppe Palella

Lighting designer

Fabio Barettin

Chorus master

Claudio Marino Moretti

Baritone

Gidon Saks

David

Soprano

Ausrine Stundyte

Geraldine

Choreographer

Mattia Agatiello

Judit

Bluebeard

Karl-Heinz Macek

Bard

Teatro La Fenice

Others

Coro del Teatro La Fenice

Orchestra

Orchestra Del Teatro La Fenice

A Hand of Bridge

Venice

Italy

A Hand of Bridge Barber,S

Public

anglų

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

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Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Mezzo-soprano

Bass

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

A Hand of Bridge, opus 35, is a one-acter by Samuel Barber on a libretto by Gian Carlo Menotti, and the shortest opera regularly performed: it lasts about nine minutes. Two unhappily married couples of the American upper-middle class are playing a hand of bridge, during which each character sings an arietta uncovering his/her inner desires.

Bluebeard’s Castle (premiered in Budapest in 1918 after a row of rejections and remakes) counts as Bartók’s response to French musical impressionism, particularly to Paul Dukas’ treatment of the same subject as Ariane et Barbe-bleu (1907). The well-known horror tale about a
serial woman-killer is given a happy end of sorts, inasmuch all the Duke’s wives survive in splendid seclusion within his mysterious castle.

Dinner buffet at the e

English

A Hand of Bridge by Barber, ant 21 sau 2020, Nuo (2020/2020), Režisierius Fabio Ceresa,, Dirigentas Diego Matheuz, Teatro La Fenice, Venice, Italy

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