Name: »À La Russe« 8th Chamber Concert
Start: 2023-06-18T00:00:00.000Z
End: 2023-06-18T00:00:00.000Z
Location: Münchner Künstlerhaus

Organization

Instrumentalist

Iason Keramidis

Violin I

Victoria Margasyuk

Violin II

Julie Ribset

Viola

Sissy Schmidhuber

Cello

Munich Philharmonic

»À La Russe«  8th Chamber Concert

Munich

Germany

Münchner Künstlerhaus

Festsaal

Public

5 Novelettes for String Quartet, Op. 15

String Quartet No. 1 in B minor, op. 50

String Quartet No. 1 in C major, Op. 49

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Singer

Countertenor

Bass

Mezzo-soprano

Baritone

Contralto

Soprano

Tenor

Alto

Child vocalist

Continuo

Silent

Spoken

In line with the nation-state spirit of the 19th century, people in Russia were also in search of their own tradition and tonal language. This is how the Mighty Bunch was formed, which also included Nikolai Rimsky-Korsakov, to promote national Russian music. In 1898 he wrote the »Variations on a Russian Folksong« as a joint composition with nine other composers. Among these composers was Alexander Glazunov, who, in addition to folk-song-like echoes, also used Tchaikovsky's stylistic elements, exoticism and orientalism in his music. The political circumstances strongly influenced the composers. Sergei Prokofiev had fled to Paris during the turmoil of the October Revolution and oriented himself towards a modern tonal language until his return to Russia in the 1930s. Highly praised and damned, that's how one could describe Stalin's difficult relationship to Dmitri Shostakovich's music. A Russian roulette, so to speak, approaching the limits of what is compositionally possible without falling out of favor.

English

Ganz im Sinne der Nationalstaatlichkeit des 19. Jahrhunderts befand man sich auch in Russland auf der Suche nach der eigenen Tradition und Tonsprache. So formte sich das Mächtige Häuflein, zu dem auch Nikolaj Rimskij-Korsakow zählte, um die Nationalrussische Musik zu fördern. Als Gemeinschaftskomposition mit neun weiteren Komponisten schrieb er 1898 die »Variationen über ein russisches Volkslied«. Unter diesen Komponisten befand sich auch Alexander Glasunow, der in seiner Musik aber neben volksliedhaften Anklängen auch Stilelemente Tschaikowskys, Exotismen und Orientalismen verwendet. Die politischen Umstände beeinflussten die Komponisten stark. Sergej Prokofjew war in den Wirren der Oktoberrevolution nach Paris geflohen und orientierte sich bis zu seiner Rückkehr nach Russland in den 30er Jahren an einer modernen Tonsprache. Hochgepriesen und verdammt, so könnte man das schwierige Verhältnis Stalins zu Dimitrij Schostakowitschs Musik beschreiben. Ein russisches Roulette sozusagen, sich den Grenzen des kompositorisch Möglichen zu nähern ohne dabei in Ungnade zu fallen.

Deutsch

»À La Russe« 8th Chamber Concert by Glazunov, A., Prokofiev, Shostakovich, De la (2023/2023), Münchner Künstlerhaus, Munich, Germany

Creditele spectacolului (Distribuție și Echipa )

Instrumentaţie

Program, Despre și Sinopsis

Lectură în continuare

Date și locuri de spectacol

Locații