Name: A Meeting Of Two Masters
Start: 2015-10-10T00:00:00.000Z
End: 2016-05-11T00:00:00.000Z
Location: Schlosskirche

Admin

ArsNova

Singer

Ann-Christin Wesser-Ingels

Soprano

Elenor Wiman

Alto

Jakob Skjoldborg

Tenor

Thomas Kiørbye

Bass

Conductor

Paul Hillier

Orchestra

Ars Nova

Amélie Renglet

Else Torp

Rebecca  Forsberg Svendsen

Amanda Flodin

Paul Bentley-Angell

Luís Toscano

Asger Lynge Petersen

Jakob Soelberg

A Meeting Of Two Masters

Friedrichshafen

Germany

Schlosskirche

Bergen

Norway

Johanneskirken

Hillerød

Denmark

Hillerød Kirke

Roskilde

Himmelev Kirke

Public

Private

Concert

Oratorio / Orchestral

Alleluia Tropus

Missa Mi-mi

The Woman With The Alabaster Box

I am the True Vine

Tribute To Caesar

Larissa Andrea Pereira

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Baritone

Mezzo-soprano

Contralto

Countertenor

Bass-baritone

Spoken

Child vocalist

Silent

Continuo

Ockeghem, the fifteenth-century Franco-Flemish guru of spiritual counterpoint, and Arvo Pärt, the Estonian magus of mystic minimalism. Although they generally use very different methods to create their sound-worlds, yet they usually seem to arrive at the same place. Ockeghem's Missa Mi-Mi is named for its opening melodic motif, but beyond that, Ockeghem always seems to do the unexpected, and no-one has yet really explained how or why this music achieves such inevitable beauty. Pärt's music is almost easy to explain, at one level, but no-one has yet really explained why, by doing the expected, he always creates the unexpected. Our program interweaves motets by Pärt among the movements of Ockeghem's great Mass.

English

A Meeting Of Two Masters by Pärt, Ockeghem, De (2015/2016), Director musical Paul Hillier, Schlosskirche, Friedrichshafen, Germany

Crèdits de representació (Repartiment i equipatge )

Repartiment

Conjunt

Programa, Sobre i Resum

Fotografies

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Dates i llocs d'actuació

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