Organization

Soprano

Hannah Greenshields

Leonore

Rachel Mink

Marzelline

Bass

Matthew Avery

Rocco

Tenor

Daniel Verschuer

Jaquino

Baritone

Henry Wright

Don Pizzaro

Joseph Raso

Florestan

Timothy Connor

Don Fernando

Mezzo-soprano

Elora Ledger

Octavian

Tessa Tessa Hayward

Sophie

The Marschallin

Pacific Opera

A Pocket Opera Double Bill

Sydney City

Australia

A Pocket Opera Double Bill: Fidelio Beethoven (+1 More)

Public

Fidelio

The Knight of the Rose

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Conductor

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Singer

Countertenor

Contralto

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Fidelio is Beethoven's only opera ever written and it tells how Leonore, disguised as a prison guard, rescues her husband Florestan from death in a political prison. Inspired by a true story, Fidelio combines Mozart-like grace and elegance with more dramatic writing, foreshadowing later composers such as Wagner.

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Der Rosenkavalier (The Knight of the Rose) is Strauss' most famous opera and whilst a comedy on the surface, the opera muses on the passing of time and the challenges of growing old, as explored through the character of the Marschallin. The opera is dominated by female voices and as such, all of the opera’s love music is sung by women (a rarity).  The glorious final trio is one of the highlights of the opera and its best-known passage, along with the presentation of the rose. Strauss loved the trio enough to request that it be performed at his funeral. Don't miss our highlights of Der Rosenkavalier in this Pocket Opera double bill.

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English

A Pocket Opera Double Bill by Beethoven, Strauss, S 12 jūn 2021, No (2021/2021)

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