Name: A Study of Aphasia
Start: 2020-08-29T00:00:00.000Z
End: 2020-08-29T00:00:00.000Z
Location: Hlubina Coal Mine

Organization

Regia

Katharina Schmitt

Drammaturgia

Viktorie Knotková

Scenografia

Pavel Svoboda

Luci

Zuzana Režná

Costumi

Patricia Talacko

Cantante

Katalin Károlyi

Mezzo-soprano

Ivana Uhlířová

Actress

Libretto

Others

Tiburtina Ensemble

Ostrava Center for New Music

A Study of Aphasia

Ostrava

Repubblica Ceca

Hlubina Coal Mine

A Study of Aphasia Michal Rataj

Public

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballerino/a

Chorus Director

Composizione

Coreografia

Coro

Direzione d'orchestra

Direzione del coro

Docente di canto

Emittente radiotelevisiva

Extra

Fotografia

Illustrator

Insegnante

Maestro accompagnatore

Orchestra

Orchestra Operations

Parrucco

Poeta

Produzione esecutiva

Recitazione

Scrittura

Scrittura ed esecuzione

Sound designer

Stage Manager

Traduzione

Trucco

Video

Wig & Makeup Designer

Basso-baritono

Soprano

Tenore

Basso

Baritono

Controtenore

Mezzosoprano

Contralto

Alto

Continuo

Mimi

Narrazione

Voce bianca

The composition of Michal Rataj’s A Study of Aphasia mixes music and sounds with the texts of Katharina Schmitt, focusing on spatial and performative aspects of contemporary music-theatre. It is a music-theatre performance for mezzosoprano, violoncello, female vocal quartet, live electronics and one actress. In his book Children’s Speech and Aphasia (1918), the Austrian linguist and founder of logopaedics, Emil Fröschels, describes the relationship between the development of language skills among children, speech impediments and psychology. Among other topics, Fröschels mainly focuses on the area of speech loss or aphasia. Inspired by Fröschels’ book and one particular scene from Ingmar Bergman's Persona (the one in which the actress loses her voice), Schmitt and Rataj explore language, speech and voice. For them,  the question, “who speaks?” is just as important as the question, “who cannot speak?” or, “who cannot be heard?” The performance is concerned with the study of voice as a fundamental element of identity. The dramaturgical framework is based on a situation between a mute (speechless) character and a speaking one, which results in a palette of different vocal expressions such as singing, Sprechgesang (speech-song), whispering, speaking and screaming. The states between speaking and lack of speech are presented in relation to the psychology of the characters. The spatial sound of the performance mirrors them.

English

Skladba Study of Aphasia Michala Rataje mísí hudbu a zvuky s texty Kathariny Schmitt se zaměřením na prostorové a performativní aspekty současného hudebně-divadla. Jde o hudebně-divadelní představení pro mezzosoprán, violoncello, ženský vokální kvartet, živou elektroniku a jednu herečku. Rakouský lingvista a zakladatel logopedie Emil Fröschels ve své knize Children’s Speech and Aphasia (1918) popisuje vztah mezi rozvojem jazykových dovedností u dětí, vadami řeči a psychologií. Fröschels se kromě jiných témat zaměřuje především na oblast ztráty řeči nebo afázie. Schmitt a Rataj, inspirováni Fröschelsovou knihou a jednou konkrétní scénou z Persony Ingmara Bergmana (ta, ve které herečka ztrácí hlas), zkoumají jazyk, řeč a hlas. Pro ně je otázka "kdo mluví?" je stejně důležitá jako otázka „kdo neumí mluvit? nebo "koho není slyšet?" Představení se zabývá studiem hlasu jako základního prvku identity. Dramaturgický rámec je založen na situaci mezi němou (nemluvící) postavou a mluvící postavou, jejímž výsledkem je paleta různých vokálních projevů jako zpěv, Sprechgesang (řeč-píseň), šeptání, mluvení a křik. Stavy mezi mluvením a nemluvením jsou prezentovány ve vztahu k psychologii postav. Prostorový zvuk představení je zrcadlí.

čeština

A Study of Aphasia by Rataj, sab 29 ago 2020, Da (2020/2020), Diretto da Katharina Schmitt,, Hlubina Coal Mine, Ostrava, Repubblica Ceca

Crediti di rappresentazione (Cast e team di produzione )

Cast

Team creativo

Ensemble

Programma, informazioni e sinossi

Recensioni

Foto

Ulteriori letture

Date e sedi delle rappresentazioni

Sedi