Name: Adriana Lecouvreur
Start: 2010-11-27T00:00:00.000Z
End: 2011-02-02T00:00:00.000Z
Location: National Theatre

Admin

Organization

Direzione d'orchestra

Đorđe Pavlović

Scenografia

Aleksandar Zlatović

Costumi

Vesna Radović

Assistant Conductor

Stefan Zekić

Coreografia

Vladimir Logunov

Regia

Radoslav Zlatan Dorić

Aleksandar Nikolić

Cantante

Tenore

Dušan Plazinić

Maurizio

Aleksandar Dojković

Basso

Dragoljub Bajić

Il principe di Bouillon

Vuk Matić

Igor Matvejev

L'abate di Chazeuil

Danilo Stošić

Baritono

Miodrag D Jovanović

Michonnet

Marko Kalajanović

Soprano

Jasmina Trumbetaš Petrović

Adriana Lecouvreur

Suzana Šuvaković Savić

Mezzosoprano

Nataša Jović Trivić

La principessa di Bouillon

Jelena Vlahović

Svetlana Nestorov

Madamigella Jouvenot

Marija Mitić

Željka Zdjelar

Madamigella Dangeville

Ljubica Vraneš

Ljubodrag Begović

Poisson

National Theatre Belgrade

Others

National Theater in Belgrade

Orchestra

Belgrade National Theatre Orchestra

Belgrado

Serbia

National Theatre

Adriana Lecouvreur Cilea

Public

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coro

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Controtenore

Basso-baritono

Contralto

Alto

Mimi

Narrazione

Voce bianca

The restoration of the opera is a series of misconceptions and misunderstandings, both in opinion and in practice. No renewal! When an opera is staged again after a few years, everything is new. First of all, the time in which this is being done is new. They are new singers - other, different people, with their own characteristics, virtues, flaws, problems ... 
From the "old" - maybe there could be music in the first place. But if the conductor changes and she is new ... different. The great misconception of many theaters is that "everything already exists" and that only new actors need to master their roles, so that everything is put in its place. Any renewal, really, should be a real, new premiere of the opera. Otherwise - why is something "renewed" - why not do something new? Artistic reasons should be the only reason for the new life of an already performed and performed opera. Our poverty - the fact that we have decor and costumes in our holdings - must never be the key reasons for "renewal", although in our practice there is. Every "renewal" of the opera is for someone who has ever done it - harder work than preparing a new work! Paradoxically, but true! That is why every "renewal" must be approached with the same ambitions, number of rehearsals, work, as if we were at the very beginning! The administrations and directorates have to think about that in particular. That, of course, is my opinion. I am aware that the opinion with which I am arguing here will prevail in theatrical practice: for the one who goes on stage to sing for the first time - everything is new.

English

Adriana Lecouvreur by Cilea, sab 27 nov 2010, Da (2010/2011), Diretto da Radoslav Zlatan Dorić, Aleksandar Nikolić,, Direttore d'orchestra Đorđe Pavlović, National Theatre, Belgrado, Serbia

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