Organization

Singer

Soprano

Kristin Ebner

Aida

Bass

Herfinnur Árnafjall

The King of Egypt

Tenor

Anton Klotzner

Radames

Baritone

Thorsten Pech

Amonasro

Robson Bueno Tavare

Ramfis

Costume designer

Aylin Kaip

Opera Incognita

Munich

Germany

Aida Verdi

Public

Private

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Countertenor

Mezzo-soprano

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Guiseppe Verdi's late masterpiece as a gloomy parable of unbridled nationalism and fanatical will to rule. For the first time, the State Museum of Egyptian Art will be the scenic setting for a classic opera that, although often told, has re-explored the dramaturgical boundaries of music theater in its musical and content-related radicalism.
The performance intertwines the fictional Memphis at the time of the pharaohs, the time when the opera was created and the European present into a cultural memory space and embarks on an archaeological search for traces of the fragile foundations of our society.

English

Die Aufführung verschränkt das fiktive Memphis zur Zeit der Pharaonen, die Entstehungszeit der Oper und europäischen Gegenwart zu einem kulturellen Gedächtnisraum und begibt sich auf archäologische Spurensuche nach den zerbrechlichen Fundamenten unserer Gesellschaft.
Guiseppe Verdis spätes Meisterwerk als düstere Parabel auf ungebändigten Nationalismus und fanatischen Herrschaftswillen. Erstmals wird das Staatliche Museum Ägyptischer Kunst zum szenischen Schauplatz eines klassischen Opernstoffs, der, obwohl oft erzählt, in seiner musikalischen wie inhaltlichen Radikalität die dramaturgischen Grenzen des Musiktheaters neu ausgelotet hat.

Deutsch

Aida by Verdi, šeš 14 rgs 2019, Nuo (2019/2019)

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Vietos