Name: Akademie für Alte Musik Berlin & Fabio Biondi (Academy For Early Music Berlin & Fabio Biondi)
Start: 2019-11-10T00:00:00.000Z
End: 2019-11-10T00:00:00.000Z
Location: Staatsoper Unter den Linden

Organization

Conductor

Fabio Biondi

Singer

Soprano

Raffaella Milanesi

Roberta Invernizzi

Contralto

Sonia Prina

Alto

Tenor

Aaron Sheehan

Álfheiður Erla Guðmundsdóttir

State Opera Berlin

Orchestra

Akademie für Alte Musik Berlin

italià

Akademie für Alte Musik Berlin & Fabio Biondi (Academy For Early Music Berlin & Fabio Biondi)

Berlin

Germany

Staatsoper Unter den Linden

Public

Private

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Bass-baritone

Countertenor

Bass

Baritone

Child vocalist

Continuo

Silent

Spoken

Alessandro Scarlattis letztes Oratorium, »La Vergine addolorata«, lehnt sich inhaltlich an die Passionsgeschichte an, aber aus einer besonderen Perspektive: der der Gottesmutter Maria, der Mater dolorosa, die mitansehen muss, wie über ihren Sohn das Todesurteil gesprochen und es schließlich auch vollzogen wird. Wie auch in vielen barocken Vertonungen des »Stabat mater« gelingt Scarlatti eine musikalisch vielfältige Übersetzung von Marias Leidensweg: Das Schwanken zwischen Momenten stiller Trauer, Ausbrüchen voll Schmerz, Aufbegehren, aber auch Trost im Glauben erzeugt eine Dramatik, die den erfahrenen Opernkomponisten Scarlatti verrät – ein selten aufgeführter Höhepunkt seines Schaffens.

Deutsch

The content of Alessandro Scarlatti's last oratorio, »La Vergine addolorata«, is based on the Passion story, but from a special perspective: that of the Mother of God Mary, the Mater dolorosa, who has to watch how the death sentence was pronounced on her son and finally carried out becomes. As in many baroque settings of the "Stabat mater", Scarlatti succeeds in a musically diverse translation of Maria's ordeal: the vacillation between moments of quiet sadness, outbursts of pain, rebellion, but also consolation in faith creates a drama that betrays the experienced opera composer Scarlatti - a rarely performed highlight of his work.

English

Akademie für Alte Musik Berlin & Fabio Biondi (Academy For Early Music Berlin & Fabio Biondi) by Various, De (2019/2019), Director musical Fabio Biondi, Staatsoper Unter den Linden, Berlin, Germany

Crèdits de representació (Repartiment i equipatge )

Repartiment

Conjunt

Programa, Sobre i Resum

Per llegir més

Dates i llocs d'actuació

Llocs