Name: Andrea Chénier
Start: 2003-02-18T00:00:00.000Z
End: 2003-03-02T00:00:00.000Z
Location: Teatro Regio

Organization

Tenor

Fabio Armiliato

Andrea Chenier

Keith Olsen

Baritone

Juan Pons

Carlo Gerard

Carlos Almaguer

Soprano

Daniela Dessì

Maddalena of Coigny

Alessandra Rezza

Mezzo-soprano

Tiziana Tramonti

Bersi

Cinzia De Mola

The Countess of Coigny

Bass

Enrico Giuseppe Iori

Roucher

Chiara Chialli

Madelon

Bruno Lazzaretti

The Incredible

Antonio Marani

Pietro Fleville

Mauro Buffoli

The Abbe

Conductor

Paolo Olmi

Stage director

Ivan Stefanutti

Set designer

Costume designer

Teatro Regio di Torino

Andrea Chénier -  (Andrea Chenier)

Turin

Italy

Teatro Regio

From the Teatro Regio di Torino (February 18, 2003) ANDREA CHÉNIER Opera in 4 acts by Luigi Illica Music by Umberto Giordano Andrea Cheniér: FABIO ARMILIATO Maddalena de Coigny: DANIELA DESSÌ Carlo Gerard: JUAN PONS Orchestra and Chorus of the Teatro Regio di Torino Conductor: PAOLO OLMI Stage and costume direction: IVAN STEFANUTTI __________________________ "ANDREA CHENIER CONQUERS THE REGIO Never have you heard so much applause at a premiere!" (W. Baldasso: TORINO CHRONICLE) "¡BIENVENIDO MISTER CHENIÉR! The artistic pareja, formed by the soprano Daniela Dessí (Magdalene of Coigny) and the tenor Fabio Armiliato (Chénier) holds a compenetración perfecta que delata algo ma que unos y ensayos riguros bien aprovechados. " (Horacio Castiglione: MUNDOCLASSICO) " THE OPERA BY GIORDANO WAS ON STAGE WITH GREAT SUCCESS YESTERDAY AT THE REGIO. APPLAUSE FOR ARMILIATO AND LA DESSÌ The performance was studded with ovations for Fabio Armiliato, the protagonist of great elegance, with a style that is somewhat reminiscent of Domingo's for the control and cleanliness of the phrasing. He has a beautiful voice, with a naturally expressive and moving timbre. Perhaps some more passionate impetus would benefit him: but I understand his concern not to fall into emphasis. Same class and same control in the singing of Daniela Dessì, excellent Maddalena, who tries to give her character the depth that she does not possess, letting her voice flow in beautiful and sweetly linked notes and lending the protagonist a noble figure. (Paolo Gallarati - LA STAMPA; February 19, 2003) Further info, reviews and photos: APPLAUSE FOR ARMILIATO AND LA DESSÌ The performance was studded with ovations for Fabio Armiliato, the protagonist of great elegance, with a style that is somewhat reminiscent of Domingo's for the control and cleanliness of the phrasing. He has a beautiful voice, with a naturally expressive and moving timbre. Perhaps some more passionate impetus would benefit him: but I understand his concern not to fall into emphasis. Same class and same control in the singing of Daniela Dessì, excellent Maddalena, who tries to give her character the depth that she does not possess, letting the voice flow in beautiful and sweetly tied notes and lending the protagonist a noble figure. (Paolo Gallarati - LA STAMPA; February 19, 2003) Further info, reviews and photos: APPLAUSE FOR ARMILIATO AND LA DESSÌ The performance was studded with ovations for Fabio Armiliato, the protagonist of great elegance, with a style that is somewhat reminiscent of Domingo's for the control and cleanliness of the phrasing. He has a beautiful voice, with a naturally expressive and moving timbre. Perhaps some more passionate impetus would benefit him: but I understand his concern not to fall into emphasis. Same class and same control in the singing of Daniela Dessì, excellent Maddalena, who tries to give her character the depth that she does not possess, letting the voice flow in beautiful and sweetly tied notes and lending the protagonist a noble figure. (Paolo Gallarati - LA STAMPA; February 19, 2003) Further info, reviews and photos: protagonist of great elegance, with a style that is a little reminiscent of Domingo's for the control and cleanliness of the phrasing. He has a beautiful voice, with a naturally expressive and moving timbre. Perhaps some more passionate impetus would benefit him: but I understand his concern not to fall into emphasis. Same class and same control in the singing of Daniela Dessì, excellent Maddalena, who tries to give her character the depth that she does not possess, letting the voice flow in beautiful and sweetly tied notes and lending the protagonist a noble figure. (Paolo Gallarati - LA STAMPA; February 19, 2003) Further info, reviews and photos: protagonist of great elegance, with a style that is a little reminiscent of Domingo's for the control and cleanliness of the phrasing. He has a beautiful voice, with a naturally expressive and moving timbre. Perhaps some more passionate impetus would benefit him: but I understand his concern not to fall into emphasis. Same class and same control in the singing of Daniela Dessì, excellent Maddalena, who tries to give her character the depth that she does not possess, letting the voice flow in beautiful and sweetly tied notes and lending the protagonist a noble figure. (Paolo Gallarati - LA STAMPA; February 19, 2003) Further info, reviews and photos: Perhaps some more passionate impetus would benefit him: but I understand his concern not to fall into emphasis. Same class and same control in the singing of Daniela Dessì, excellent Maddalena, who tries to give her character the depth that she does not possess, letting the voice flow in beautiful and sweetly tied notes and lending the protagonist a noble figure. (Paolo Gallarati - LA STAMPA; February 19, 2003) Further info, reviews and photos: Perhaps some more passionate impetus would benefit him: but I understand his concern not to fall into emphasis. Same class and same control in the singing of Daniela Dessì, excellent Maddalena, who tries to give her character the depth that she does not possess, letting the voice flow in beautiful and sweetly tied notes and lending the protagonist a noble figure. (Paolo Gallarati - LA STAMPA; February 19, 2003) Further info, reviews and photos:
http://www.fabioarmiliato.com/home/CH...

Andrea Chénier Giordano

Approved

Andrea Chenier by Giordano, O 25 feb 2003, No (2003/2003), Režisēja Ivan Stefanutti,, Diriģents Paolo Olmi, Teatro Regio, Turin, Italy

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