Name: Antigona
Start: 2015-11-30T00:00:00.000Z
End: 2015-12-21T00:00:00.000Z
Location: Theater am Fleischmarkt

Admin

Organization

Singer

Viktorija Bakan

No role specified

Natalia Kawałek-Plewniak

Thomas David Birch

Jake Arditti

Christoph Seidl

Conductor

Attilio Cremonesi

Stage director

Vasily Barkhatov

Costume designer

Zinovy Margolin

Set designer

Libretto

Marco Coltellini

MusikTheater an der Wien

italia

Antigona -  (Antigone)

Vienna

Austria

Theater am Fleischmarkt

Antigona Traetta

Antigone

saksa

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Countertenor

Soprano

Baritone

Contralto

Mezzo-soprano

Bass-baritone

Tenor

Spoken

Child vocalist

Silent

Alto

Continuo

The Italian composer Tommaso Traetta (1727-1779) is one of the great reformers of the opera and stands at the interface between baroque and classical music. After the death of the Duke of Parma, he worked from 1768 as court conductor under Tsarina Catherine II in St. Petersburg. His opera Antigone was also written for the Russian court and was first performed on November 11, 1772. With her, Traetta embeds the spirit of ancient tragedy in an aesthetic that was progressive for the time. The title character is portrayed as an astonishingly complex character, and both the composition and the libretto by Marco Coltellini contain a lot of enlightening ideas, as self-determination and reason triumph over traditional ideas.

Polynices and Eteocles, the sons of Oedipus, killed each other in a duel for the rule of Thebes. Her uncle Creon ascends the throne and orders that only Eteocles receive a state funeral. By paying her last respects to Oedipus' daughter Antigone, she obtains the death penalty for herself. But when Creon's son Haimon allegedly takes his own life out of mourning, the king reconsiders - contrary to Sophocles' instructions. He realizes that it was not the anger of the gods but his severity that caused the disaster.

The young Moscow-born director Vasily Barkhatov has already worked in all of Russia's major theaters and will make his debut in Vienna with this production. The Bach Consort Wien performs in the orchestra pit under Attilio Cremonesi.

English

Antigone by Traetta, pe 04 joulu 2015, Alkaen (2015/2015), Ohjannut Vasily Barkhatov,, Musiikinjohto Attilio Cremonesi, Theater am Fleischmarkt, Vienna, Austria

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