Organization

Conductor

Jonathan Cohen

Soprano

Katharine Dain

Harpsichor

Musis Arnhem

Arcangelo

Netherlands

Public

Salve Regina

Gloria

Sinfonia No. 22 in d minor

12 Sinfonie, op. 1

Cantata pastorale per la nascita di Nostro Signore

Trio Sonata in E Op.4 No. 6

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Bass-baritone

Singer

Contralto

Countertenor

Mezzo-soprano

Tenor

Baritone

Spoken

Child vocalist

Silent

Alto

Continuo

A rural scene
Why is it that baroque composers manage to capture the atmosphere of Christmas so well in their notes? Whether it's an instrumental sinfonia 'Per il Santissimo Natale' by the lesser-known Giuseppe Valentini or a 'Christmas hit' like Cantate pastorale per la nascita di Nostre Signore by Alessandro Scarlatti, the image of the shepherds tending their sheep and a heavenly getting message looms. It is undoubtedly the form of the pastoral that does it for him. Representing a rural scene in sound is a baroque specialty that carries you away. Especially when it is performed as compellingly as by Arcancelo and Katharine Dain.

Ensemble in residence of Wigmore Hall
'Under the direction of Jonathan Cohen, Arcangelo's playing is as always of the highest quality and sometimes heartbreakingly subservient to the drama', wrote the English Gramophone full of admiration. The English ensemble started in 2010 and quickly conquered the world. For example, it was the first baroque ensemble to be allowed to call itself ensemble in residence at the illustrious Wigmore Hall. All the conditions for a memorable Christmas are therefore present.

English

Een landelijke scène
Hoe komt het toch dat barokke componisten de sfeer van Kerstmis zo goed weten te vangen in hun noten. Of het nu gaat om een instrumentale sinfonia ‘Per il Santissimo Natale’ van de minder bekende Giuseppe Valentini of een ‘kersthit’ als Cantate pastorale per la nascita di Nostre Signore van Alessandro Scarlatti, het beeld van de herders die hun schapen hoeden en een hemelse boodschap krijgen doemt op. Het is ongetwijfeld de vorm van de pastorale die het hem doet. Het in klank uitbeelden van een landelijke scène is een barokke specialiteit die je meesleept. Zeker als het zo meeslepend wordt uitgevoerd als door Arcancelo en Katharine Dain.

Ensemble in residence van Wigmore Hall
‘Het spel van Arcangelo is onder leiding van Jonathan Cohen als altijd van de hoogste kwaliteit en op soms hartbrekende wijze dienstbaar aan het drama’, schreef het Engelse Gramophone al eens vol bewondering. Het Engelse ensemble begon in 2010 en veroverde de wereld met rasse schreden. Zo was het het eerste barokensemble dat zich ensemble in residence mocht noemen van de roemruchte Wigmore Hall. Alle voorwaarden voor een memorabele kerst zijn dus aanwezig.

Nederlands

Arcangelo by Scarlatti, D., Händel, Stradella, Valentini, Giuseppe, Scarlatti, Alessandro, Corelli, A., Od (2022/2022), Dirigent Jonathan Cohen

Krediti za predstavo (Zasedba in producentska ekipa )

Igralska zasedba

Posadka

Program, O in Sinopsis

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