Organization

Singer

Spoken

Alexei Mochalov

The majordomo

Alexander Polkovnikov

Baritone

A music teacher

Roman Shevchuk

Soprano

Irina Kurmanova

The composer

Irina Alekseenko

The prima donna

Tatiana Fedotova

Tenor

Zakhar Kovalyov

The tenor

Igor Vyalykh

Alexey Sulimov

The dance master

Bass

Alexey Prokopyev

The wigmaker

Azamat Tsaliti

A lackey

Ekaterina Ferzba

Zerbinetta

Vasily Sokolov

Harlequin

Vasily Gafner

Scaramuccio

Kirill Filin

Truffaldin

Borislav Molchanov

Brighella

Bacchus

Alexandra Mayskaya

Naiad

Mezzo-soprano

Irina Berezina

Dryad

Alexandra Nanoshkina

Echo

Anna Semenyuk

Irina Alexeenko

Ariadne

Sergej Ostroumov

The officer

Pavel Paremuzov

Anatoly Zakharov

Irina Khruleva

Vitaly Rodin

Valery Makarov

Natalia Ritter

Victoria Preobrazhenskaya

Marianna Asvoynova

Libretto

Hugo von Hofmannsthal

Stage director

Hans-Joachim Frey

Conductor

Alexey Vereshchagin

Lighting designer

Vladimir Ivakin

Costume designer

Maria Volskaya

Set designer

Viktor Volsky

Anna Bauman

Tat'jana Fedotova

Mikhail Yanenko

Tamara Kasumova

Natalia Sokolova

German Yukavsky

Maria Patrusheva

Alexander Kolesnikov

Oligarch

Alisa Nazipova

Oligarch's Wife

Bolshoi Theatre

ruščina

nemščina

Ariadne auf Naxos -  (Ariadne on Naxos)

Moscow

Russia

Boris Pokrovsky Chamber Opera Theatre (not used from 2018)

Ariadne auf Naxos Strauss,R

Public

Ariadne on Naxos

Approved

"Ariadne auf Naxos" is probably the most non-standard opera of the outstanding tandem - composer Richard Strauss and poet Hugo von Hoffmannsthal. And not only because of the unusual history of creation. It combined the seemingly incompatible: a crude comedy and high tragedy, Viennese stiffness and mischief - with the masks of the Italian commedia dell'arte.

The story of the work began in 1911, when Richard Strauss and his permanent co-author Hugo von Hoffmannsthal decided to thank director Max Reinhardt for his invaluable help in preparing the world premiere of the opera Der Rosenkavalier. Hoffmannsthal wrote to his father: "Together we want to compose a very small opera only for the chamber ensemble, which will be played by Reinhardt as an insert into the play." At that time, Hoffmannsthal was working on a reworking of Moliere's play "The Bourgeois in the Nobility", and he planned to use "Ariadne auf Naxos" as the finale of his "rewritten" play: “This is one of the most personal and dearest works for me; conceived as a whole, consisting of parts, it can exist, can arise only where a high theatrical genius is able to shape the parts into a whole ... "

Initially, it was planned to play the premiere in a drama theater - the German Theater in Berlin, which was then directed by Reinhardt. However, the demanding composer rightly expressed doubts whether the orchestra of the drama theater would be able to cope with his score, and therefore offered to play the premiere in Dresden. But the stage of the Saxon Opera was too big for such a "graceful thing". Reluctantly, Hoffmannsthal agreed to postpone the premiere to the small stage of the Stuttgart Opera, whose management promised to fulfill all the wishes of the authors. And there were a lot of them, including the condition that Reinhardt must act as a director and several actors and actresses of his theater were invited, as well as opera stars of the first magnitude - Maria Eritsa and Margarita Zims.

The world premiere took place in Stuttgart in 1912 and was not very successful, not least because of the length of the performance. Taking into account the technical overlays, the play by Moliere / Hoffmannsthal lasted more than three hours before the start of the opera itself, and the duration of "Ariadne auf Naxos" itself was almost an hour and a half. Thus, the action lasted for about five hours!

The idea of ​​combining a full-fledged dramatic and a full-fledged musical performance turned out to be nothing more than a utopia. A few years later, Strauss and Hoffmannsthal returned to reworking the opera in order to create a work without reference to Moliere's plot. The premiere took place on 4 October 1916 at the Vienna State Opera. It is in this version that "Ariadne auf Naxos" is played to this day in the largest theaters in the world. And the title role entered the repertoire of such outstanding singers as Maria Reining, Leonie Rizanek, Gundula Janowitz, Anna Tomova-Sintova, Jesse Norman, Deborah Voight.

The tradition of performing the opera "Ariadne auf Naxos" has not developed in Russia. After all, the Russian premiere of this work took place only in 2004 at the Mariinsky Theater. In 2016, the premiere took place in Moscow on the stage of the I. Boris Pokrovsky, which a year later became the Bolshoi Chamber Stage.

English

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