Name: Armida
Start: 2014-08-10T00:00:00.000Z
End: 2014-08-19T00:00:00.000Z
Location: Adriatic Arena

Organization

Rossini Opera Festival

Sänger

Tenor

Randall Bills

Goffredo

Ubaldo

Antonino Siragusa

Rinaldo

Bass

Carlo Lepore

Idraote

Astarotte

Sopran

Carmen Romeu

Armida

Dmitry Korchak

Gernando

Carlo

Vassilis Kavayas

Eustazio

Regie

Luca Ronconi

Kostümbild

Giovanna Buzzi

Bühnenbild

Margherita Palli

Dirigat

Carlo Rizzi

Orchestra

Orchestra del Teatro Comunale Bologna

Pesaro

Italien

Adriatic Arena

Teatro 1

Time: The Crusades
Place: Near Jerusalem
Act 1
Goffredo, commander of the Christian forces, comforts and rallies the Frankish soldiers, who are mourning the recent death of their leader. A noblewoman appears and introduces herself as the rightful ruler of Damascus. She claims that her throne has been usurped by her evil uncle Idraote and asks for help and protection. In fact she is the sorceress Armida and in league with Idraote, who has entered with her in disguise. Their plan is to weaken the Crusaders by enslaving some of their best soldiers. The men are so dazzled by Armida's beauty that they convince Goffredo to help her. Goffredo decides that the Franks must choose a new leader, who will then pick ten soldiers to go with Armida. They elect Rinaldo, much to the jealousy of the knight Gernando ("Non soffrirò l'offesa"). Armida and Rinaldo, who is the Crusaders’ best soldier, had met once before, and she is secretly in love with him. She now confronts him and reminds him how she saved his life on that occasion. When she accuses him of ingratitude, he admits that he's in love with her (Duet: "Amor… possente nome!"). Gernando sees them together and insults Rinaldo as a womanizer in front of the other men. They duel and Rinaldo kills Gernando. Horrified by what he has done, he escapes with Armida before Goffredo can punish him.

Act 2
Astarotte, one of the princes of Hell, has led a group of demons into a forest to help Armida. She arrives there with Rinaldo, who's completely enthralled by her (Duet: "Dove son io!"). Even when she tells him about Idraote's plot, he doesn't turn against her. To Rinaldo's amazement, Armida then turns the forest into a vast pleasure palace. Armida muses on the power of love ("D’Amore al dolce impero") and offers for Rinaldo's entertainment a pantomime about a warrior being seduced by nymphs. Rinaldo, having lost all thoughts of military honor, gives himself over to Armida's enchantment.

Act 3
Two of Rinaldo's fellow knights, Ubaldo and Carlo, have been sent on a mission to save him. When they arrive in Armida's enchanted gardens, they are overwhelmed by the beauty of them, even though they know it's all an illusion. With the help of a magical golden staff, they ward off the nymphs that try to seduce them, then hide when Rinaldo and Armida appear. Rinaldo is still captivated by the sorceress, but once he is alone, Ubaldo and Carlo confront him. When they show him his reflection in a shield, he's horrified to realize that he no longer recognizes himself as the honorable warrior he once was (Trio: "In quale aspetto imbelle"). Still torn by his love for Armida, Rinaldo prays for strength, then leaves with his comrades. Armida calls upon the powers of Hell to bring her lover back but finds herself helpless. She rushes off in pursuit of the men.

Armida reaches the three soldiers before they can sail away. She begs Rinaldo not to desert her and even offers to go into battle with him. Ubaldo and Carlo restrain Rinaldo, trying to bolster his strength, and ultimately drag him away from her. Armida struggles between love and desire for revenge ("Dove son io?… Fuggì!"). She chooses revenge, destroying the pleasure palace and flying away in a rage  [Wikipedia]

Riccardo Frizza ...      Conductor
John Osborn  ...     Goffredo, commander of the combined Christian forces
Yeghishe Manucharyan . Eustazio, Goffredo's Brother
Renée Fleming                Armida, Princess of Damascus, a Sorceress
Peter Volpe              Idraote, King of Damascus and Armida's Uncle
Barry Banks                   Gernando, a Paladin / Carlo, a Paladin
Antonio Sirogusa  ... Rinaldo, a Paladin
Keith Miller           Astarotte, Leader of Armida's Spirits
Kobie van Rensburg  ... Ubaldo, a Paladin

Dall'Adriatic Arena - Music by Gioacchino Rossini - Conductor Carlo Rizzi - Chorus Master Andrea Faidutti - Scenes Margherita Palli - Costumes Giovanna Buzzi - Choreography Michele Abbonda - Directed by Luca Ronconi.

Armida Rossini Opera Festival 2014

Genehmigt

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Andere

Chefdirigent Musiktheater

Chor

Chordirektion

Choreographie

Chorus Director

Dramaturgie

Extra

GesangslehrerIn

Haar

Illustrator

Komposition

Korrepetition

Lehrer

Leitender Produzent

Libretto

Lichtgestaltung

Maske

Off-Stage Artist

On-Stage Artist

Orchester

Orchestra Operations

Photographer

Poet

Rundfunk

Schauspiel

Stage Manager

Tongestaltung

Tänzer

Videogestaltung

Wig & Makeup Designer

Writer

Writing and performance

Übersetzung

Bass-Bariton

Mezzosopran

Bariton

Countertenor

Alto

Continuo

Kinderstimme

Singer

Sprechrolle

Stumme Rolle

Armida Rossini

Astarotte Carlo Lepore Armida Rossini Opera Festival dir. C.Rizzi Regia L. Ronconi

Armi da atto II

Armida by Rossini, Sa. 16 Aug. 2014, Ab (2014/2014), Unter der Regie von Luca Ronconi,, Dirigat Carlo Rizzi, Adriatic Arena, Pesaro, Italien

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Ensemble

Programm, Über & Zusammenfassung

Rezensionen

Videos

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte