Organization

Gstaad Menuhin Festival

Dirigent

Paul McCreesh

Zanger

Soprano

Mary Bevan

Countertenor

Tim Mead

Tenor

Jeremy Ovenden

Bass

Neal Davies

Others

Basel Chamber Orchestra

Tölzer Knabenchor

Baroque Pomp

Gstaad

Zwitserland

Baroque Pomp: Messiah Händel

Public

De Messias

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Broadcasting

Chefdirigent Musiktheater

Choreograaf

Chorus Director

Componist

Danser

Dramaturg

Extra

Geluidsontwerper

Haar stylist

Illustrator

Koor

Koor meester

Kostuum ontwerper

Librettist

Licht ontwerper

Orchestra Operations

Orkest

Other

Photographer

Poet

Regisseur

Répétiteur

Set designer

Stage Manager

Teacher

Uitvoerend producent

Vertaler

Video ontwerper

Visagist

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Mezzo-soprano

Baritone

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Is it necessary to hit bottom in order to attain the sublime? Handel, at a low point in his life, must have thought this when he received the libretto by Charles Jennens for an oratorio, almost as if the Saviour himself had ordered its composition! His operas which had once enjoyed such popularity at the royal courts were no longer “selling”. The poet’s words transformed him: he wrote this “Messiah” in 24 days (and nights), giving birth to a work that constituted a sort of testament of the Baroque genius. After its performance in Dublin in 1742 it took London by storm the following year, and it is said that the king himself stood for the famous “Hallelujah” chorus: a gesture that has become custom in contemporary England.

English

Baroque Pomp by Händel, Van (2017/2017), Dirigent Paul McCreesh

Voorstellingscredits (Cast & Productieteam )

Cast

Ensemble

Programma, Over & Synopsis

Foto's

Verder lezen

Uitvoeringsdata en -locaties

Speellocaties