Name: Beethoven & Mozart's Jupiter Symphony
Start: 2023-09-21T00:00:00.000Z
End: 2023-09-21T00:00:00.000Z
Location: Odense Koncerthus

Organization

Conductor

Eugen Tichindeleanu

Instrumentalist

Violin (Solo)

Orchestra

Odense Symfoniorkester

Beethoven & Mozart's Jupiter Symphony

Odense

Denmark

Odense Koncerthus

Carl Nielsen Salen

Beethoven & Mozart's Jupiter Symphony: Concert Various

Public

Violin Concerto in D Major, op. 61

Jupiter Symphony - Symphony No. 41 in C Major, K 551

Approved

Bass

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Mezzo-soprano

Singer

Countertenor

Baritone

Tenor

Contralto

Bass-baritone

Soprano

Spoken

Child vocalist

Silent

Alto

Continuo

The Odense Symphony Orchestra is transformed into one large chamber music group with ears on stems when we perform music by Mozart and Beethoven , as it was played in Vienna around the year 1800 - namely with the concertmaster as " Stehgeiger ", the conductor of the time . And we have an excellent one of the kind in our own concertmaster , Eugen Tichindeleanu , who this evening also stands at the forefront as a soloist in Beethoven's demanding violin concerto , who with his luminous solo voice and symphonic dimension set new standards for what an instrument concert could be . Mozart's very last symphony , nicknamed "Jupiter", is has been called by some " the world's first real symphony ", and music lovers all over the world are still justifiably in awe of the superior composition , which , among other things , contains a crazy 5-part fugue at the end . It is Mozart with muscles and heart , and the tight composition points directly forward to the successor Beethoven's seminal additions to the genre . 

 

You can read what Ole B. Kiilerich wrote about Mozart's Symphony No. 41, the last time we played the work, here:

That the genius Mozart wrote his (it turned out) three last symphonies in a period of only 9 weeks in 1788, at the same time that in the same period he not only composed several other things, but also had to look after his sick wife, lost his 6-month old daughter, and had to move beyond any imagination! The pace of work in the symphonies alone, of which Jupiter Symphony No. 41 is the last in the series, amounted to just over 4 days per rate 9 weeks in a row. It is quite unimaginable - even if you don't take into account the incredible musical quality (Symphony No. 40 in G minor is his best-known symphony at all). Jupiter does not have quite the same popular impact as the G minor symphony, but is nevertheless a display of compositional technique and musical excess of another world; it is as if he here, completely unaware of,

English

Odense Symfoniorkester forvandles til én stor kammermusikgruppe med ørerne på stilke, når vi opfører musik af Mozart og Beethoven, sådan som det blev spillet i Wien omkring år 1800 – nemlig med koncertmesteren som “Stehgeiger”, datidens dirigent. Og vi har en fremragende én af slagsen i vores egen koncertmester, Eugen Tichindeleanu, der denne aften ovenikøbet også står forrest som solist i Beethovens krævende violinkoncert, der med sin lysende solostemme og symfoniske dimension satte nye standarder for, hvad en instrumentkoncert kunne være. Mozarts allersidste symfoni med tilnavnet “Jupiter” er af nogle blevet kaldt “verdens første egentlige symfoni”, og musikelskere over hele verden falder stadig helt berettiget på halen over den overlegne komposition, der bl.a. indeholder en vanvittig 5-stemmig fuga til sidst. Det er Mozart med muskler og hjerte, og den strunke komposition peger direkte fremad mod efterfølgeren Beethovens skelsættende tilføjelser til genren. 

 

Du kan læse, hvad Ole B. Kiilerich skrev om Mozarts symfoni nr. 41, sidst vi spillede værket, her:

At geniet Mozart i en periode i 1788 på kun 9 uger fik skrevet sine (viste det sig) tre sidste symfonier, samtidigt med at han i samme periode ikke blot komponerede adskilligt andet, men også måtte passe sin syge kone, mistede sin 6-måneder gamle datter, og skulle flytte overgår enhver fantasi! Arbejdstempoet alene i symfonierne, hvoraf Jupiter-symfonien nr. 41 er den sidste i rækken, svarede til kun lidt over 4 dage pr. sats 9 uger i streg. Det er ganske ufatteligt – selv hvis man ikke medregner den utrolige musikalske kvalitet (symfoni nr. 40 i g-mol er hans mest kendte symfoni overhovedet). Jupiter har ikke helt samme folkelige gennemslagskraft som g-mol-symfonien, men er ikke desto mindre en opvisning i kompositionsteknik og musikalsk overskud af en anden verden; det er som om han her, helt uvidende om, at dette skulle blive hans allersidste symfoni, tager hul på den form for udtryk og personliggørelse af symfonien som genre, der ville få sit endelige gennembrud med Beethovens symfonier et par årtier senere.

dansk

Beethoven & Mozart's Jupiter Symphony by Beethoven, Mozart, Od (2023/2023), Dirigent Eugen Tichindeleanu, Odense Koncerthus, Odense, Denmark

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