Name: Beethovens femma
Start: 2023-03-30T00:00:00.000Z
End: 2023-03-31T00:00:00.000Z
Location: Berwaldhallen

Organization

Conductor

Omer Meir Wellber

Eli Danker

Narrator

Instrumentalist

Violist

Lawrence Power

Viola

Orchestra

Swedish Radio Symphony Orchestra

BERWALDHALLEN

Beethovens femma

Stockholm

Sweden

Berwaldhallen

Beethovens femma: Egmont, op. 84 Beethoven (+3 More)

Public

Egmont, op. 84

Viola Concerto

The Eternal Stranger

Symphony No. 5

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Soprano

Singer

Contralto

Countertenor

Baritone

Tenor

Bass

Bass-baritone

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Knappast något klassiskt verk är så välkänt som Beethovens femte symfoni, med sin effektfulla inledning. Den israeliska tonsättaren Ella Milch-Sheriff har i sitt hyllningsverk till Beethoven, The Eternal Stranger, utgått ifrån en suggestiv dröm som Beethoven själv berättat om och gestaltar den legendariske kompositören på ett nytt och oväntat sätt. Vi har också förmånen att ta del av altviolinisten Lawrence Power i Anders Hillborgs Violakonsert, ett beställningsverk av bland annat Royal Liverpool Philharmonic Orchestra och Sveriges Radios Symfoniorkester.

Hyllningar, dramatik och hjältedåd är ord som kan sägas sammanfatta det här programmet som blandar verk av Ludvig van Beethoven med nyskriven musik av den israeliska tonsättaren Ella Milch-Schreiff och svenske Anders Hillborg.

Egmont uvertyren hör till en av del av Beethovens musik, skriven till dramer eller baletter, och som framförs mer sällan än till exempel hans symfonier. Verket skrevs till Goethes drama Egmont från 1810 vilken handlar om en holländsk greve som reser till Spanien för att mana till kamp mot den spanska överheten. Det är dramatiskt såväl musikaliskt som i handling. Dramatisk är även Beethovens femte symfoni, känd som Ödesymfonin, färdigställd bara några år innan Egmont-uvertyren komponerades.

En hyllning till Beethoven är den israeliska kompositören Ella Milch-Schreiffs The eternal stranger/Den evige främlingen, skriven till kompositörens 250-års jubileum och även tillägnad samt beställd av kvällens dirigent Omer Meir Wellber. Verket baseras på en dröm som kompositören beskrev i ett brev till sin vän och förläggare Tobias Haslinger 1821. Temat är främlingskap, i en såväl social som fysisk kontext, och musikaliskt inspirerad av så väl Mahler och Schönberg – båda väl medvetna om vad det är att kännas sig som en främling.

Anders Hillborgs Violakonsert skrevs i dialog med altviolinisten Lawrence Power, med en vilja att lyfta fram instrumentets heroiska klanger, i motsats till de mer känslosamt klagande som annars ofta framhävs. I Hillborgs verk får vi göra bekantskap med flera av violans olika karaktärer.

svenska

Hardly any classical work is as well known as Beethoven's Fifth Symphony, with its powerful opening. In her tribute work to Beethoven, The Eternal Stranger, the Israeli composer Ella Milch-Sheriff has started from a suggestive dream that Beethoven himself told about and portrays the legendary composer in a new and unexpected way. We also have the privilege of taking part in violist Lawrence Power's Anders Hillborg's Viola Concerto , a work commissioned by, among others, the Royal Liverpool Philharmonic Orchestra and the Swedish Radio Symphony Orchestra.

Tributes, drama and heroism are words that can be said to sum up this program that mixes works by Ludwig van Beethoven with newly written music by Israeli composer Ella Milch-Schreiff and Swedish Anders Hillborg.

The Egmont Overture belongs to a part of Beethoven's music, written for dramas or ballets, and which is performed less often than, for example, his symphonies. The work was written for Goethe's drama Egmont from 1810, which is about a Dutch count who travels to Spain to call for a fight against the Spanish authorities. It is dramatic both musically and in action. Beethoven's Fifth Symphony, known as the Fate Symphony, is also dramatic, completed just a few years before the Egmont Overture was composed.

A tribute to Beethoven is the Israeli composer Ella Milch-Schreiff's The eternal stranger/Den evige framlingen, written for the composer's 250th anniversary and also dedicated and commissioned by the evening's conductor Omer Meir Wellber. The work is based on a dream that the composer described in a letter to his friend and publisher Tobias Haslinger in 1821. The theme is alienation, in both a social and physical context, and musically inspired by both Mahler and Schönberg – both well aware of what it is to feel like a stranger.

Anders Hillborg's Viola Concerto was written in dialogue with the viola player Lawrence Power, with a desire to highlight the heroic sounds of the instrument, in contrast to the more emotionally plaintive ones that are otherwise often highlighted. In Hillborg's work we get to know several of the different characters of the viola.

English

Beethovens femma by Beethoven, Hillborg, Milch-Sheriff, De la (2023/2023), Dirijor Omer Meir Wellber, Berwaldhallen, Stockholm, Sweden

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