Organization

Conductor

Giampaolo Bisanti

Leonardo Sini

Stage director

Barbora Horáková

Set designer

Aída-Leonor Guardia Beier

Costume designer

Eva Butzkies

Lighting designer

Stefan Bolliger

Chorus master

André Kellinghaus

Singer

Tenor

Anton Rositskii

Benvenuto Cellini

Bass

Ante Jerkunica

Balducci

Tilmann Rönnebeck

Pope Clement VII

Aaron Pegram

Francesco

Martin-Jan Nijhof

Bernardino

Soprano

Matthias Henneberg

Pompeo

Tuuli Takala

Teresa

Mezzo-soprano

Stepanka Pucalkova

Ascanio

Jürgen Müller

Le Cabaretier

Dramaturge

Benedikt Stampfli

Semperoper Dresden

Orchestra

Staatskapelle Dresden

Others

Sächsischer Staatsopernchor Dresden

Vladyslav Buyalskiy

Anton Beliaev

An Officer

Baritone

Jérôme Boutillier

Fieramosca

franceză

Dresden

Germany

Semperoper

Benvenuto Cellini Berlioz

Public

germană

engleză

Approved

Hector Berlioz (1803–1869) schafft in seiner frühen Oper »Benvenuto Cellini«, die 1838 in Paris uraufgeführt wurde, ein phänomenales Kunstwerk, das einen der bedeutendsten Künstler des 16. Jahrhunderts zum Protagonisten macht: Benvenuto Cellini. Zwar skizziert die Oper nur drei Tage – die Zeit zwischen Rosenmontag und Aschermittwoch 1532 in Rom – aus dem schillernden Leben des florentinischen Bildhauers, die jedoch stürmisch genug sind: Nach turbulenten Stunden im Treiben des Karnevals, bei dem Cellini einen Kontrahenten erschlägt, ist er am Ende dennoch der glückliche Sieger.

Für den phänomenalen und höchst differenzierten Umgang mit den Instrumenten in seinem Orchester war Hector Berlioz bekannt und fand viele Bewunderer u.a. auch Richard Wagner. Die vielfältige Partitur beinhaltet sowohl großflächig angelegte Tableaus mit ihren mitreißenden Chorszenen, bis hin zu kammertheatralen Situationen, die einzigartig instrumentiert sind. Dadurch schafft er ein karnevaleskes Stimmungsbild, das seinesgleichen sucht.

Deutsch

In his early opera »Benvenuto Cellini«, which premiered in Paris in 1838, Hector Berlioz (1803–1869) created a phenomenal work of art that made one of the most important artists of the 16th century the protagonist: Benvenuto Cellini. Although the opera outlines only three days - the time between Shrove Monday and Ash Wednesday 1532 in Rome - from the dazzling life of the Florentine sculptor, they are stormy enough: after turbulent hours in the hustle and bustle of the carnival, in which Cellini kills an opponent, he is at the In the end, the happy winner.

Hector Berlioz was known for the phenomenal and highly differentiated handling of the instruments in his orchestra and found many admirers, including Richard Wagner. The diverse score includes both large-scale tableaus with their stirring choral scenes and chamber theatrical situations that are uniquely orchestrated. In this way he creates a carnivalesque atmosphere that is second to none.

English

Benvenuto Cellini by Berlioz, De la (2024/2024), Regizat de către Barbora Horáková,, Dirijor Giampaolo Bisanti, Leonardo Sini, Semperoper, Dresden, Germany

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