Name: Biennale-Eröffnung
Start: 2025-02-13T00:00:00.000Z
End: 2025-02-15T00:00:00.000Z
Location: Berliner Philharmonie

Admin

Berliner Philharmoniker

Direzione d'orchestra

Kirill Petrenko

Orchestra

Biennale-Eröffnung

Berlino

Germania

Berliner Philharmonie

Großer Saal

Public

concert form

Oratorio / Orchestrale

Arcana

Superorganisms

Sinfonia n. 6 in fa maggiore, op.68 ("Pastorale")

Keerthi Raj

Approvato

Basso

Instrumentalist

Pianoforte

Violinista

Cellist

Violista

Suonatore di flauto

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composizione

Regia

Libretto

Scenografia

Costumi

Coreografia

Luci

Ballerino/a

Recitazione

Direzione del coro

Video

Drammaturgia

Traduzione

Sound designer

Maestro accompagnatore

Trucco

Produzione esecutiva

Parrucco

Altro

Stage Manager

Coro

Poeta

Docente di canto

Insegnante

Fotografia

Emittente radiotelevisiva

Scrittura

Scrittura ed esecuzione

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Soprano

Singer

Controtenore

Basso-baritono

Tenore

Mezzosoprano

Contralto

Baritono

Verbale

Voce bianca

Silenzioso

Alto

Continuo

Unter dem Titel Paradise Lost? Von der Bedrohung der Natur eröffnen die Berliner Philharmoniker mit Chefdirigent Kirill Petrenko ihre dritte Biennale. Ein das Thema ideal reflektierendes Werk ist Beethovens »Pastorale«, die überschwänglich die Schönheit des Landlebens feiert. Doch das Idyll erweist sich als brüchig und wird von einem apokalyptischen Sturm hinweggefegt. Eine Naturerscheinung ganz anderer Art verkörpert Miroslav Srnkas Werk Superorganisms, hier zu hören in einer deutschen Erstaufführung. Auf faszinierende Weise schildert es Lebensformen, die nur in der Gemeinschaft existieren können. Das Eröffnungsstück Arcana von Edgard Varèse nimmt Bezug auf den Alchemisten Paracelsus, der nach einem Universalmittel zur Heilung der Menschen suchte.

Deutsch

Under the title Paradise Lost? On the Threat to Nature, the Berliner Philharmoniker and chief conductor Kirill Petrenko open their third Biennale. One work that ideally reflects the theme is Beethoven’s “Pastoral”, which exuberantly celebrates the beauty of country life. However, the idyll proves to be fragile and is swept away by an apocalyptic storm. Miroslav Srnka’s work Superorganisms, heard here in its German premiere, embodies a completely different kind of natural phenomenon. It depicts life forms that can only exist in a community in a fascinating way. The concert opens with Arcana, by Edgard Varèse; The title refers to 16th-century alchemist and astrologer Paracelsus, who sought universal knowledge, and believed that the stars could help understand human healing.

English

Biennale-Eröffnung by Varèse, Srnka, Beethoven, sab 15 feb 2025, Da (2025/2025), Direttore d'orchestra Kirill Petrenko, Berliner Philharmonie, Berlino, Germania

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