Name: Brahms' Piano Concerto No. 1
Start: 2018-12-05T00:00:00.000Z
End: 2018-12-05T00:00:00.000Z
Location: Konserthus

Admin

Oslo Philharmonic

Conductor

Vasily Petrenko

Instrumentalist

Simon Trpčeski

Piano

Orchestra

Brahms' Piano Concerto No. 1

Oslo

Norway

Konserthus

Public

Piano Concerto No. 1 in D Minor, op. 15

Keerthi Raj

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

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Makeup artist

Orchestra Operations

Other

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Poet

Repetiteur

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Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

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Writing and performance

Bass

Singer

Bass-baritone

Contralto

Countertenor

Soprano

Baritone

Mezzo-soprano

Tenor

Alto

Child vocalist

Continuo

Silent

Spoken

Brahms' Piano Concerto No. 1
Simon Trpceski returns to Oslo to perform Brahms´monumental Piano Concerto No. 1 with the Oslo Philharmonic and Vasily Petrenko.

It might be commonly claimed, that while Beethoven's “Emperor” concerto (his fifth) occupies a unique position amongst Romantic piano concertos, Johannes Brahms´(1833−1897) Piano Concerto No. 1 is its heir. With a reach, expressive register and monumentalism with surpassed its predecessor, Brahms set a new standard for the genre. Despite the fact that the concerto sets formidable technical demands for virtuosity and brilliance, it is not the bravura in and of itself which is the focal point. In this concerto, the soloist weaves his way into a drama which plays out within and together with, the whole orchestra.

In line with tradition, Brahms' first concerto for piano has three movements, and the composer builds on earlier models also in terms of form. The first movement has a classical sonata form, but the content and length of the various parts are untraditional. The symphonic drama, with the soloist playing the principal part, is followed by a far calmer second movement. “I am painting a tender portrait of you”, Brahms is to have said of this movement to Clara Schumann. Others have been more captivated by the way it floats, almost like Palestrina's vocal polyphony, and by its spiritual aura. At the start of the finale, the soloist takes back control and thunders away with both rhythmical panache and virtuosic flair. Brahms' first concerto for piano had its world premiere in Hannover in 1859 and was the composer's first successful work for orchestra.

English

Brahms' Piano Concerto No. 1 by Brahms, De (2018/2018), Director musical Vasily Petrenko, Konserthus, Oslo, Norway

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