Name: Café Concert
Start: 2023-02-17T00:00:00.000Z
End: 2023-02-19T00:00:00.000Z
Location: Palazzetto Bru Zane

Organization

Festival Palazzetto Bru Zane à Paris

Pianist

Manuel Peskine

Singer

Emeline Bayart

Soloist

Palazzetto Bru Zane

Café Concert

Venice

Italy

Café Concert: Concert

Public

Concert

Approved

The actress and singer Émeline Bayart likes songs that tell a story. Tales of passion, libertinage and love-hate; men and women who get bored, have affairs, and tear each other to pieces. Sad tales, made hilarious. Accompanied on the piano by Manuel Peskine, she draws on the café-concert repertoire and that of characterful female singers from Yvette Guilbert to Juliette (with no attempt to imitate them). She holds the melodic line, only to break it with spoken words or a change of register, moving from head voice to chest voice, from singing to speech, from a shout to a whisper. A naughty, funny, poetic recital.

English

Comedian and chanteuse , Émeline Bayart loves songs that tell a story: stories of couples that talk about passion, libertinage and cruel love; of men and women who bore, betray and tear each other apart. They are sad stories that the artist makes hilarious. Accompanied by Manuel Peskine on the piano, Émeline draws on the repertoire of the café-concert and chanteuses de caractère – from Yvette Guilbert to Juliette – without trying to imitate them. She maintains the melodic line to better break it through speech or a change in vocal texture, she passes from head voice to chest voice, from singing to speaking, from shouting to whispering. A mischievous, funny and poetic recital.

italiano

Comédienne et chanteuse, Émeline Bayart aime les chansons qui racontent. Des histoires de couples qui parlent de passion, de libertinage et d’amour vache ; d’hommes et de femmes qui s’ennuient, se trompent et se déchirent. Des histoires tristes qu’elle rend hilarantes. Accompagnée de Manuel Peskine au piano, elle puise dans le répertoire du café-concert et des chanteuses de caractère – d’Yvette Guilbert à Juliette – sans chercher à les imiter. Elle tient la ligne mélodique pour mieux la briser par la parole ou un changement de tessiture, passe de la voix de tête à la voix de poitrine, de la voix chantée à la voix parlée, du cri au murmure. Un récital coquin, drôle et poétique.

français

Forestillingkreditter (Ensemble & produksjonsteam )

Cast

Mannskap

Medprodusent