Name: Candide
Start: 2015-10-24T00:00:00.000Z
End: 2016-01-10T00:00:00.000Z
Location: Opernhaus

Admin

Organization

Singer

Baritone

Frank Schneiders

Dr Pangloss

Spoken

Cacambo

Martin

Tenor

Sung-Keun Park

Candide

Soprano

Ania Vegry

Cunegonde

Cornelia Zink

Contralto

Carmen Fuggiss

Paquette

Christopher Tonkin

Maximilian

Diane Pilcher

Old Woman

Patrick Jones

Governor

Vanderdendur

Ragotski

Bass

Daniel Eggert

Third inquisitor

Tsar Ivan

Bearkeeper

Gevorg Aperánts

First inquisitor

Charles Edward

Cosmetic Merchant

Señor II

Marco Vassalli

Hermann Augustus

Second inquisitor

Junkman

Byung Kweon Jun

King Stanislas

Edward Mout

Sultan Achmet

Señor I

Alchemist

Conductor

Karen Kamensek

Stage director

Matthias Davids

Costume designer

Susanne Hubrich

Set designer

Mathias Fischer-Dieskau

Lighting designer

Susanne Reinhardt

Chorus master

Dan Ratiu

Choreographer

Simon Eichenberger

Video designer

Dramaturge

Christopher Baumann

Staatsoper Hannover

Orchestra

Niedersächsisches Staatsorchester Hannover

engleză

Hanover

Germany

Opernhaus

Laves-Foyer

Public

germană

Approved

Comic Operetta in zwei Akten (1956 / 1988)Buch von Hugh Wheeler nach dem Roman »Candide oder der Optimismus« von VoltaireGesangstexte von Richard Wilbur, Ste...

Leonard Bernstein (1918-1990), Comic Operetta in Two Acts – Scottish Opera Version (1956/1988), Libretto: Hugh Wheeler Candide oder der Optimismus, novel by Voltaire, Libretto: Richard Wilbur/Stephen Sondheim/John Latouche/Lillian Hellmann /Dorothy Parker/Leonard Bernstein, German dialogues: Stephan Kopf/Zelma/Michael Millard, UA: December 1, 1956 New York, Martin Beck Theatre

The orchestra does not sit in the stage pit, but on the stage, the singers and actors act on platforms in front of and behind the musicians. In some places they are even integrated into the scene. Right at the beginning, two actors in tails appear who prepare to conduct the orchestra before the actual conductor takes her place. Candide is in capital letterson a screen behind the orchestra. The writing disappears after the overture, and a new stage design appears on the screen, changing from scene to scene, which is supplemented by a variable rope construction to form a three-dimensional backdrop. First you see a simple house, later a burnt village or the sea. The ropes function, among other things, as a boat, gallows or abstract forms, which are then also found on the canvas. The choristers are disguised as harlequins, Voltaire leads the story and morphs into Pangloss, Cacambo and Martin in front of the audience's eyes. All minor speaking roles will be performed by Daniel Drewes and Jan Viethen(actors) who give each role a different face with language, gestures and facial expressions.

English

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