Organization

Soprano

Suzanne Jerosme

Giuditta

Countertenor

Max Emanuel Cencic

Lottario

Franco Fagioli

Adalgiso

Mezzo-soprano

Nian Wang

Edvige

Dennis Orellana

Berardo

Julia Lezhneva

Gildippe

Tenor

Petr Nekoranec

Asprando

Conductor

Markellos Chryssicos

Teatro Auditorio de San Lorenzo de El Escorial

itāļu

Carlo il Calvo -  (Charles the Bald)

Madrid

Spain

Carlo il Calvo

Public

Charles the Bald

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Baritone

Contralto

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Carlo il Calvo is a serious opera by the 18th-century Italian composer Nicola Antonio Porpora, re-released with great success in 2020 as part of the new Bayreuth Barroque Opera Festival held at the Margravine Theater in Bayreuth, a space built at the beginning of the 20th century. XVIII and preserved in its entirety since then.

Carlo il Calvo was performed for the first time in 1738 at the Teatro delle Dame, the most important theater of the time in Rome. The cast was made up entirely of men and castrati. Women were not allowed to appear in public in the Papal States. The opera by Nicola Antonio Porpora, whose score has been preserved at the Naples Conservatory, is based on a 1699 Venetian libretto which, under various titles, was set to music by composers such as Vinacessi, Keller, Alessandro Scarlatti, Orlandini, Predieri, Fioré, Hurlebusch, Telemann and Vivaldi.

The plot is set in that period of the High Middle Ages when Charlemagne's Europe was disintegrating at the hands of his feuding heirs. Its distinctive feature is that the titular hero, Carlos, is a boy. Luis the German, Carlos's half brother and Charlemagne's grandson, kidnaps the legitimate heir to the throne to strip him of his sovereignty. This gives Carlos's mother the opportunity to experience heartbreaking scenes of despair and impressive outbursts of feeling. In the role of Luis, induced to do evil by malicious courtiers, Max Emanuel Cencic has the opportunity to launch himself into scenes of great paroxysm. Only Franco Fagioli, as the noble knight Adalgiso, has what it takes to stop the tyrant and restore God-given order. But in doing so,

The production was voted “Best New Production of 2020” by the readers of the French online magazine ForumOpéra.

English

Charles the Bald by Porpora, Sv 15 aug 2021, No (2021/2021), Diriģents Markellos Chryssicos

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