Name: Carmen
Start: 2018-05-12T00:00:00.000Z
End: 2018-05-12T00:00:00.000Z
Location: Slovak National Theatre Historical Building

Organization

Conductor

Rastislav Stur

Stage director

Marián Chudovský

Set designer

Jozef Ciller

Costume designer

Peter Čanecký

Chorus master

Ladislav Kaprinay

Choreographer

Jozef Dolinský

Singer

Mezzo-soprano

Jolana Fogasova

Carmen

Soprano

Eva Hornyáková

Michaela

Tenor

Boldizsár László

Don José

Baritone

Filip Tůma

Escamillo

Jana Jurícková

Frasquita

Denisa Šlepkovská

Mercedes

Jozef Kundlák

Remendado

Ján Ďurčo

Dancaire

Roman Krško

Morales

Bass

Ján Galla

Zuniga

Slovak National Theatre

franču

Bratislava

Slovakia

Slovak National Theatre Historical Building

Carmen Bizet

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Bass-baritone

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Where is the difference between a romantic and a realistic story? As if Georges Bizet was asking us this question through the opera Carmen. In addition to images of love, the work of French Romanticism presents us with a fairly ordinary life of completely ordinary people, in colors that often resemble the realistic images of brush masters, so a little tired of the ethereal language of Romanticism. So how is it? What does the story of the young officer Don José tell us, who lets himself be enchanted by the beautiful Gypsy Carmen, forgets his dear Micaël, deserts himself as an honor to his officer's honor and goes to the mountains with the smugglers alongside the dark beauty? Georges Bizet's romantic musical language is intertwined with a story that is even worryingly real. Is Don Jose's love for Carmen romantic? Certainly not - because it's not enriching love, but pure passion, which robs Don José of his soul and honor. And so a strange, provocative contrast of romantic-non-romantic story emerges, which is so extremely appealing that we keep coming back to it again and again. And it is certainly no coincidence that Bizet's Carmen evokes in us a bit of references to the best works of Italian opera realism - verism (from the word "vero" - "truth").

English

Carmen by Bizet, S 12 mai 2018, No (2018/2018), Režisēja Marián Chudovský,, Diriģents Rastislav Stur, Slovak National Theatre Historical Building, Bratislava, Slovakia

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