Organization

Conductor

Carlos Spierer

Stage director

Bruno Klimek

Chorus master

Jan Hoffmann

Bass

Thomas Fleischmann

Zuniga

Baritone

Sebastian Geyer

Morales

Tenor

Germán Villar

Don José

Juan Carlos Mera-Euler

Escamillo

David-Erich Fankhauser

Remendado

Soprano

Kirsten Borchard

Frasquita

Mezzo-soprano

Henrietta Hugenholtz

Mercedes

Giuseppina Piunti

Carmen

Gesa Hoppe

Michaela

Set designer

Martin Gärtner

Stadttheater Giessen

fransk

Giessen

Germany

Public

tysk

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Contralto

Bass-baritone

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

Eine femme fatale ist Carmen  leidenschaftlich, sinnlich, erotisch. Eine Frau, die sich kompromisslos den moralischen Vorstellungen ihrer Zeit und Gesellschaft verweigert; eine Frau, die sich nach Liebe sehnt und doch keine findet; eine Frau, für die man bereit ist zu töten oder die man tötet, bevor sie ein anderer kriegt. Als CARMEN 1874 uraufgeführt wurde, löste sie einen wahren Sturm der Entrüstung aus, so sehr schockierten der schonungslose Realismus der Handlung und die für den Zeitgeschmack allzu fortschrittliche Musik. Doch nach nur wenigen Aufführungen bahnte sich das Werk seinen Weg und begründete den Ruhm Bizets.

Deutsch

My life was free, and I want to die free too!
Carmen Carmen

is a femme fatale – passionate, sensual, erotic. A woman who uncompromisingly rejects the moral concepts of her time and society; a woman who longs for love and yet finds none; a woman you're willing to kill for, or kill before someone else gets her. When CARMEN was first performed in 1874, it unleashed a veritable storm of indignation, so shocked was the ruthless realism of the plot and the music, which was all too progressive for the taste of the time. But after just a few performances, the work made its way and established Bizet's fame.

English

Carmen by Bizet, lø. 12 feb. 2005, Fra (2005/2005), I regi av Bruno Klimek,, Dirigent Carlos Spierer

Forestillingkreditter (Ensemble & produksjonsteam )

Cast

Mannskap

Program, Informasjon & Sammendrag

Videre lesning

Forestillingsdatoer og spillesteder

Sted