Admin

State Opera Berlin

Dirigent

Dirigent (+1)

Valentin Uryupin

Regisseur

Martin Kušej

Set designer

Set designer (+2)

Jens Kilian

Kostuum ontwerper

Heidi Hackl

Licht ontwerper

Licht ontwerper (+1)

Reinhard Traub

Mezzosopraan (+4)

Gaëlle Arquez

Carmen

Tenor

Ivan Gyngazov

Don José

Bas-bariton (+3)

Lukasz Goliński

Escamillo

Bariton (+2)

Jaka Mihelač

Le Dancaïro

Tenor (+3)

Andrés Moreno García

Le Remendado

Bariton (+3)

Roman Trekel

Moralés

Bas (+7)

Jan Martinik

Zuniga

Sopraan (+1)

Clara Nadeshdin

Micäela

Rebecka Wallroth

Mercédes

Maria Kokareva

Frasquita

Orchestra

Staatskapelle Berlin

Chorus

Staatsopernchor Berlin

Staatsoper Unter den Linden

Acteur (+5)

Sébastien Dutrieux

Lillas Pastia

Assistent Toneelregisseur

Regisseur (+2)

Katharina Lang

An opéra comique with a tragic ending that brings the eternal game of passionate love and tormenting jealousy to the stage, and whose rousing music has appealed to audiences all over the world and continues to appeal to them again and again - that is Bizet's "Carmen". Mutual forces of attraction and repulsion are at work, with ultimately fatal consequences - carried and taken responsibility for by idiosyncratic, memorable characters.

Georges Bizet, the talent of the century, could only have guessed at the success of his "Carmen", which premiered in Paris in the spring of 1875, but could not enjoy it. When his opera was performed for the 33rd time, he died at the age of just 38. Today, "Carmen" is one of the most frequently performed pieces in the repertoire, and there is no end in sight to the enthusiastic response. Quite a few musical numbers have become real "hits", and the southern sound color and the bright orchestral colors, which radiate something very sensual, create additional appeal. This music, which fits so harmoniously with the dramatic events, is cleverly made, and yet so catchy, "popular" in a good sense. Each of the characters is given their own musical profile - lifelike people come on stage in a quasi-realistic way, which supports the credibility of their singing and acting. Bizet's "Carmen" is one of the declared masterpieces of opera literature.

Frans

Berlijn

Duitsland

Carmen Bizet

Staged

Opera

Keerthi Raj

Duits

Engels

In this episode, soprano Serena Sáenz, who sings the role of Mercédès in our current production of CARMEN, reveals where in pop culture you can find the hits "Habanera" and the Toreador Song from Bizet's opera.

In dieser Folge verrät die Sopranistin Serena Sáenz, die in unserer aktuellen Produktion von CARMEN die Rolle der Mercédès singt, wo überall man in der Popkultur die Hits "Habanera" und das Toreador-Lied von Bizets Oper finden kann.

pOpera Culture | CARMEN in the movies

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