Name: Carmen
Start: 2018-09-21T00:00:00.000Z
End: 2019-06-05T00:00:00.000Z
Location: Slovak National Theatre Historical Building

Admin

Organization

Regie

Marián Chudovský

Bühnenbild

Jozef Ciller

Kostümbild

Peter Čanecký

Choreographie

Jozef Dolinský

Chordirektion

Ladislav Kaprinay

Dirigat

Dušan Štefánek

Sänger

Mezzosopran

Jolana Fogasova

Carmen

Sopran

Eva Hornyáková

Michaëla

Tenor

Michal Lehotský

Don José

Rafael Alvarez

Bariton

Sergej Tolstov

Escamillo

Andrea Vizvári

Frasquita

Denisa Šlepkovská

Mercedes

Jozef Kundlák

Remendado

Ján Ďurčo

Dancaïro

Roman Krško

Morales

Bass

Ján Galla

Zuniga

Slovak National Theatre

Französisch

Bratislava

Slowakei

Slovak National Theatre Historical Building

Carmen Bizet

Public

Slowakisch

Genehmigt

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Andere

Chor

Chorus Director

Dramaturgie

Extra

GesangslehrerIn

Haar

Illustrator

Komposition

Korrepetition

Lehrer

Leitender Produzent

Libretto

Lichtgestaltung

Maske

Orchester

Orchestra Operations

Photographer

Poet

Rundfunk

Schauspiel

Stage Manager

Tongestaltung

Tänzer

Videogestaltung

Wig & Makeup Designer

Writer

Writing and performance

Übersetzung

Bass-Bariton

Countertenor

Alto

Continuo

Kinderstimme

Sprechrolle

Stumme Rolle

Where is the difference between a romantic and a realistic story? As if Georges Bizet asked us this question through the opera Carmen. In addition to images of love, the work of French Romanticism presents us with a fairly ordinary life of completely ordinary people, in colors that often resemble the realistic images of brush masters, so a little tired of the ethereal language of Romanticism. So how is it? What does the story of the young officer Don José tell us, who lets himself be enchanted by the beautiful Gypsy Carmen, forgets his dear Micaël, deserts himself as an honor to his officer's honor and goes to the mountains with the smugglers alongside the dark beauty? Georges Bizet's romantic musical language is intertwined with a story that is even worryingly real. Is Don Jose's love for Carmen romantic? Certainly not - because it's not enriching love, but pure passion, which robs Don José of his soul and honor. And so a strange, provocative contrast of romantic-non-romantic story emerges, which is so extremely appealing that we keep coming back to it again and again. And it is certainly no coincidence that Bizet's Carmen evokes in us a bit of references to the best works of Italian opera realism - verism (from the word "vero" - "truth").

English

Carmen by Bizet, Fr. 21 Sept. 2018, Ab (2018/2019), Unter der Regie von Marián Chudovský,, Dirigat Dušan Štefánek, Slovak National Theatre Historical Building, Bratislava, Slowakei

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Programm, Info & Synopsis

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte