Name: Cendrillon
Start: 2023-03-03T00:00:00.000Z
End: 2023-03-03T00:00:00.000Z
Location: Novaya Opera Theatre

Organization

Singer

Soprano

Elizaveta Soina

Cinderella

Mezzo-soprano

Aleksandra Saulskaya-Shultyaeva

Madame de la Haltiere

Kristina Bikmaeva

Noemie

Ekaterina Mirzoyants

Dorothee

Baritone

Konstantin Fedotov

The King

Bass-baritone

Mikhail Pervushin

The Prime Minister

Stage director

Alexey Veiro

Lighting designer

Maya Shavdatuashvily

Chorus master

Yulia Senyukova

Conductor

Andrey Lebedev

Elena Terentieva

The Fairy

Boris Zhukov

Pandolfe

Tenor

Anton Bochkaryov

The Dean of the Faculty

Alexander Popov

Master of Ceremonies

Anna Sinitsyna

Prince Charming

Novaya Opera

Cendrillon -  (Cinderella)

Moscow

Russia

Novaya Opera Theatre

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Countertenor

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Cendrillon

Jules Massenet (1842–1912) is the most prolific composer of late romanticism: he wrote 34 operas (some unfinished and unstaged). Along with Gounod, Bizet and Thomas, Massenet became the leading master of French lyric opera, and his "Manon" (1884) and "Werther" (1892), together with "La Traviata" by G. Verdi, "Eugene Onegin" by P.I. Tchaikovsky and "La Boheme" by G. Puccini defined a subtle variety of lyric-psychological drama of the second half of the 19th century. His later work amazes with activity, search and various subjects. Massenet's eclecticism is historically understandable: beautifully ending the era of romanticism in the genre of lyrical opera, he is looking for new paths leading to the 20th century.

The premiere of Cinderella by J. Massenet took place on May 24, 1899 at the Opéra-Comique (Paris). Then the performances went on in Milan, Rome, New Orleans, New York, Chicago, Brussels, but after the death of the composer, the opera was forgotten. Massenet's new life for Cinderella began in the second half of the 20th century. In this opera, a well-known children's fairy tale turns into something more: it reveals a Christian overtone. For example, the image of the Fairy is close to the image of the Mother of God. The traditional narrative of good and evil becomes a reflection on beauty, close to God, and its enemy - vulgarity.

English

Жюль Массне (1842–1912) – самый плодовитый композитор позднего романтизма: он написал 34 оперы (есть неоконченные и непоставленные). Наряду с Гуно, Бизе и Тома, Массне стал ведущим мастером французской лирической оперы, а его «Манон» (1884) и «Вертер» (1892) вместе с «Травиатой» Дж. Верди, «Евгением Онегиным» П.И. Чайковского и «Богемой» Дж. Пуччини определили тонкую разновидность лирико-психологической драмы второй половины XIX века. Его позднее творчество поражает активностью, поиском и разнообразными сюжетами. Эклектика Массне исторически понятна: красиво завершая эпоху романтизма в жанре лирической оперы, он ищет новые пути, ведущие в XX век.

Премьера оперы «Золушка» Ж. Массне состоялась 24 мая 1899 года в «Опера-Комик» (Париж). Затем спектакли шли в Милане, Риме, Новом Орлеане, Нью-Йорке, Чикаго, Брюсселе, но после смерти композитора опера была забыта. Новая жизнь «Золушки» Массне началась во второй половине ХХ века. В этой опере известная детская сказка превращается в нечто большее: в ней проявляется христианский подтекст. Например, образ Феи близок к образу Богоматери. Традиционный нарратив о добре и зле становится размышлением о красоте, близкой к Богу, и ее враге – пошлости.

русский

Cinderella by Massenet, pen 03 kov 2023, Nuo (2023/2023), Režisierius Alexey Veiro,, Dirigentas Andrey Lebedev, Novaya Opera Theatre, Moscow, Russia

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