Organization

Singer

Soprano

Anne Sophie Petit

The Fairy

Opéra de Lausanne

Conductor

Corinna Niemeyer

Stage director

David Hermann

Set designer

Paul Zoller

Video designer

Costume designer

Axel Aust

Lighting designer

Fabrice Kebour

Staging Assistant

Jean-Philippe Guilois

Chorus master

Pascal Adoumbou

Ruzan Mantashyan

Cinderella

Mezzo-soprano

Ambroisine Bré

Prince Charming

Doris Lamprecht

Madame de la Haltiere

Bass-baritone

Nicolas Cavallier

Pandolfe

Aurélie Brémond

Noemie

Julia Deit-Ferrand

Dorothee

Baritone

Benoît Capt

The King

Aslam Safla

Master of Ceremonies

Tenor

Aurélien Reymond-Moret

The Dean of the Faculty

Mohamed Haidar

The Prime Minister

Others

Orchestre de Chambre de Lausanne

Chorus of the Lausanne Opera

Cendrillon -  (Cinderella)

Lausanne

Switzerland

Public

Approved

In the paradise of (big) children
Grand Prix de Rome, youngest member of the Institute, professor of composition at the Paris Conservatory (where he trained Chausson, Pierné and Schmitt), Jules Massenet remains in the eyes of history a skilful creator of melodies that appeal to the public. Unmotivated to revolutionize his art, he produced around twenty operas that are quite similar – but as these sound magnificently well, no one is going to complain! We readily quote Manon and Werther , but we cannot forget Thaïs (and his sublime Meditation dear to violinists), as well as a Cinderellawhose naturally magical character ideally marries its generous and… deliciously sweet pen. Composed between 1894 and 1895 to a libretto by Henri Cain inspired by Charles Perrault's tale, it premiered on May 24, 1899 at the Opéra-Comique and had a dazzling debut, with no less than fifty performances during the premiere alone. season. It's a fact: Massenet is there at the zenith of his career.

English

Uznanie za predstavenie (Obsadenie & Tím )

Obsadenie

Posádka

Súbor