Name: Česká filharmonie • Giovanni Antonini
Start: 2020-04-01T00:00:00.000Z
End: 2020-04-03T00:00:00.000Z
Location: Rudolfinum — Dvořák Hall

Admin

Czech Philharmonic

Conductor

Giovanni Antonini

Orchestra

Rudolfinum

Česká filharmonie • Giovanni Antonini

Prague

Czech Republic

Rudolfinum — Dvořák Hall

Public

Symphony No. 2 in D major, Op. 36

Symphony No.8, Op.93

Don Juan

Keerthi Raj

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Singer

Soprano

Mezzo-soprano

Countertenor

Bass-baritone

Tenor

Baritone

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

While Count Carl von Oppersdorff was visiting his friend Prince Lichnowsky, he heard Ludwig van Beethoven’s Second Symphony, and he was so enthusiastic that he immediately offered the composer a large sum of music to composer another symphony for him. But while Beethoven’s music thrilled Count von Oppersdorff, the critics in Vienna could not stand it. According to the “Newspaper for the Elegant World”, the Second Symphony made the impression of “a hideously writhing, wounded dragon that refuses to die, but is writhing in its last agonies and, in the fourth movement, bleeds to death.” Beethoven further strengthened the effect of this terrible, devilish music by excluding the elegant minuet and by putting a thorny scherzo in its place. As it turns out, scherzos would become a fixed feature of symphonic form, displacing the unfortunate minuet for good. The Eighth Symphony is one of Beethoven’s few compositions that does not bear any dedication. Beethoven called it “my Little Symphony in F Major” to differentiate it from the Pastoral Symphony. Although its premiere was not as successful as that of the Seventh Symphony that preceded it, the composer held it in very high regard musically. The ballet Don Juan by Christoph Willibald Gluck also tells a very exciting story. Its importance to the ballet genre is similar to the importance of the revolutionary work Orfeo ed Euridice to opera. Don Juan is actually the first ballet to present the entire narrative of a story. Gluck had a very good grasp of dance, and he understood it as an art form all its own, entirely independent of music. The task of the dancer was to combine the musical and dancing elements into a single effective whole. There could be no better subject matter for this “prototype” than the drama of Don Juan.

English

Česká filharmonie • Giovanni Antonini by Beethoven, Gluck, Od (2020/2020), Dirigent Giovanni Antonini, Rudolfinum — Dvořák Hall, Prague, Czech Republic

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