Organization

Singer

Stefan Vladimirov

Онбашията

Tenor

Angel Antonov

Подидаскал Мироновски

Conductor

Boris Spasov

Choreographer

Lyudmila Ilieva

Maria Yordanova

Repetiteur

Stoyan Martinov

Svetoslav Lazarov

Soprano

Stanislava Momekova

Първа жена

Mezzo-soprano

Alexandrina Stoyanova-Andreeva

Втора жена

Contralto

Vesela Yaneva

Трета жена

Bass

Dimitar Stanchev

Беят

Nikolay Voynov

Бухалът

Reinaldo Droz

Черковен певец

Daniel Ostretsov

Rosen Nenchev

Assistant Director

Vera Petrova

Vera Beleva

Plastic

Zhorzh Dimitrov

Stage director

Plamen Kartalov

Set designer

Sven Jonke

Costume designer

Stanka Vauda

Lighting designer

Ivan Lušičić

Chorus master

Violeta Dimitrova

Video designer

Vladimir Grancharov

Baritone

Atanas Mladenov

Хаджи Смион

Kostadin Andreev

Иванчо Йотата

Emil Pavlov

Мирончо

Atanas Yonkov

Хаджи Атанасий

Nikolay Pavlov

Варлаам Копринарката Тарилйомът

Bass-baritone

Nikolay Petrov

Иван Селямсъзът

Veselin Mihailov

Даскал Гатю

Ventseslav Anastasov

Господин Фратю

Biser Georgiev

Дядо Поп Ставри

Petar Buchkov

Николаки

Krassimir Dinev

Мичо Бейзадето

Rada Toteva

Варлаамица

Gergana Rusekova

Селямсъзката

Sofia Opera & Ballet

Others

Хор на Софийската опера

Orchestra

Оркестър на Софийската опера

Ballet

Балет на Софийската опера

bolgarščina

Chatterers

Sofia

Bulgaria

Sofia Opera

Main Hall

Чичовци Николов

Public

angleščina

Approved

Chatterers: Чичовци Николов

"In "UNCLES" by the composer Lazar Nikolov and the writer Ivan Vazov there is a congenial joint copyright presence in the style of modernism, as precisely in this European current in the arts is inherently new artistic expression and creation of reality, through new ways of creative thinking.

In both great Bulgarian masters, one of the word, the other of music, although they lived in different eras and in the distance of almost a century, you can see ahead of their modern approach in their creativity. The parody and ironic characteristic of both appears as a style of expression in the aspects of the literary and musical language of UNCLES. Both music and text, in the context of the time they were written, we can call an avant-garde phenomenon.

What can be the stylistics of the musical drama created for the opera scene? Isn't the world of heroes a mirror of pointless chatter of absurd characters? They are frozen with reasoning in their time, but also insightful about the future of events, for which they expect others to walk the way to them and carry them out. They don't act, they're always rethinking into hyperbolic fantasy domestic ridiculous things, having fun and pushing themselves to be courageous, but they're cowardly and hiding from consequences in power struggles. The pessimism of the characters, at the same time, is fun in the comfort of slavery, in which they live undisturbed, even happily. This leads them to the refuge of a timeless place in which they will always be eternal and existing in a perpetuum-mobile. Chattering perpetuum-mobile, controversy and scandals perpetuum-mobile. They're playing a game that's not over.

English

Krediti za predstavo (Zasedba in producentska ekipa )

Igralska zasedba

Posadka

Ansambel