Name: Concert by Teodor Currentzis and musicAeterna: Desyatnikov and Strauss
Start: 2021-05-25T00:00:00.000Z
End: 2021-05-26T00:00:00.000Z
Location: Zaryadye Hall

Organization

Conductor

Teodor Currentzis

Others

musicAeterna Choir

Orchestra

musicAeterna Orchestra

musicAeterna

Concert by Teodor Currentzis and musicAeterna: Desyatnikov and Strauss

Moscow

Russia

Zaryadye Hall

Concert by Teodor Currentzis and musicAeterna: Desyatnikov and Strauss: Concert

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Singer

Soprano

Contralto

Mezzo-soprano

Tenor

Bass

Baritone

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

A program of two symphonic works created at the end of the 19th and 20th centuries will be performed by the musicAeterna orchestra conducted by Teodor Currentzis.

The music of our contemporary, the largest Russian composer Leonid Desyatnikov, who is celebrating his anniversary this season, is often heard in musicAeterna concerts, but the large-scale symphonic canvas for soloists, choir and orchestra “The Sacred Winter 1949” based on the texts of the Soviet school English textbook will be performed for the first time.

The name of the symphony and the texts outline a circle of associations: the epoch, Stravinsky with his The Rite of Spring, Tchaikovsky, Moscow and sports, but behind this facade, capable of taking the superficial listener in a completely different direction, the depth of the true the meaning of one of the most capacious and beautiful artistic studies of our common past, for someone distant, but for someone always close, one has only to pronounce the code word from the worn-out textbook "Moscow is our Capital".

The restrained tragedy of this music is felt especially clearly in the dialogue with Richard Strauss's symphonic poem Death and Enlightenment. In this case, the program title reflects the author's intention more directly, however, as in The Rite of Winter, it remains only an external pretext for those deep spiritual questions about which music can speak directly to the listener's heart.

English

Программа из двух симфонических сочинений, созданных на излете XIX и XX веков, прозвучит в исполнении оркестра musicAeterna под управлением Теодора Курентзиса.

Музыка нашего современника крупнейшего российского композитора Леонида Десятникова, в этом сезоне отмечающего свой юбилей, нередко звучит в концертах musicAeterna, но масштабное симфоническое полотно для солистов, хора и оркестра «Зима священная 1949» на тексты советского школьного учебника английского языка будет исполнено впервые.

Название симфонии и тексты очерчивают круг ассоциаций: эпоха, Стравинский с его «Весной священной», Чайковский, Москва и спорт, но за этим фасадом, способным увести поверхностного слушателя совсем в другую сторону, для чуткой публики в прозрачных тонко очерченных рельефах партитуры открывается глубина истинного смысла одного из самых емких и красивых художественных исследований нашего общего прошлого, для кого-то далекого, а для кого-то всегда близкого, стоит лишь произнести кодовое слово из затертого учебника «Moscow is our Capital».

Сдержанный трагизм этой музыки ощущается особенно явственно в диалоге с симфонической поэмой Рихарда Штрауса «Смерть и просветление». В этом случае программное название отражает замысел автора более прямо, однако, как и в «Зиме священной», остаётся лишь внешним поводом для тех глубоких духовных вопросов, о которых музыка может говорить напрямую с сердцем слушателя.

русский

Concert by Teodor Currentzis and musicAeterna: Desyatnikov and Strauss by Various, De la (2021/2021), Dirijor Teodor Currentzis, Zaryadye Hall, Moscow, Russia

Creditele spectacolului (Distribuție și Echipa )

Ansamblu

Program, Despre și Sinopsis

Fotografii

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Date și locuri de spectacol

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