Name: Delius And Grieg
Start: 2018-09-26T00:00:00.000Z
End: 2018-09-26T00:00:00.000Z
Location: Konserthus

Admin

Oslo Philharmonic

Conductor

Vasily Petrenko

Orchestra

Instrumentalist

George Li

Piano

Delius And Grieg

Oslo

Norway

Konserthus

Public

Concert

Oratorio / Orchestral

On Hearing the First Cuckoo in Spring

Piano Concerto in A Minor, op. 16

Keerthi Raj

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Singer

Bass

Countertenor

Contralto

Tenor

Soprano

Mezzo-soprano

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Delius and Grieg
Music by two close friends, Edvard Grieg and Frederick Delius.

The dramatic whirl of the timpani which leads us from silence to fiery music in Edvard Grieg’s (1843−1907) Piano Concerto is one of the most effective and famous musical openings in the classical repertoire. With this particular bang, Grieg forged his way into European music culture, engraving himself onto musical history − on which the young composer left an indelible trace. From the very first note, the piano soloist plays “Grieg’s leading motif”, a musical signature inspired by melodic turns in Norwegian folk music. Nevertheless, the clearest connection to traditional music is represented by the Halling dance rhythms in the third movement. Before the finale takes off, Grieg demonstrates further strengths: the lyrical melodies, the atmospheric harmonies, and passion in the Adagio.

One might picture fjords and mountains when one hears Grieg’s concerto, but the composer himself gazed upon a completely different landscape, far from Norway, when he wrote the piece: Sollerød in Denmark. On a musical level, Grieg also drew inspiration from other places. The concerto has much in common with Schumann’s Piano Concerto in A-minor (1845), which Grieg himself had heard as a young student in Leipzig. Grieg’s own concerto has become an equally important pillar in both Norwegian musical heritage and remains one of the world’s most famed concertos. It has been so since its world premiere, which was performed by Edmund Neupert as soloist in Copenhagen in 1869, and since Franz Liszt played it enthusiastically in Rome in 1870. It was also the very first piano concerto to be recorded on LP, by Wilhelm Backhaus, in 1909.

English

Delius And Grieg by Delius, Grieg, De (2018/2018), Director musical Vasily Petrenko, Konserthus, Oslo, Norway

Crèdits de representació (Repartiment i equipatge )

Conjunt

Programa, Sobre i Resum

Per llegir més

Dates i llocs d'actuació

Llocs