Name: Der Freischütz, op. 77
Start: 2010-04-19T00:00:00.000Z
End: 2010-05-03T00:00:00.000Z
Location: Theater an der Wien

Organization

Sänger

Sopran

Elza Heever

Agathe

Mojca Erdmann

Ännchen

Bass

Falk Struckmann

Kasper

Selcuk Cara

Tenor

Simon O'Neill

Martin Snell

Kuno

Bariton

Dominik Köninger

Kilian

Artur Korn

Ein Eremit

Henk Neven

Ottokar

Sprechrolle

Karl Markovics

Samiel

Dirigat

Bertrand de Billy

Regie

Stefan Ruzowitzky

Bühnenbild

Renate Martin

Andreas Donhauser

Kostümbild

Nicole Fischnaller

Dramaturgie

Anton Maria Aigner

Lichtgestaltung

Peter van Praet

Videogestaltung

Fritz Fitzke

Petra Baráthová

Vier Brautjungfern

Judith Halász

Jaroslava Pepper

Alice Rath

MusikTheater an der Wien

Orchestra

ORF Vienna Radio Symphony Orchestra

Deutsch

Der Freischütz, op. 77

Wien

Österreich

Theater an der Wien

Genehmigt

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Andere

Chefdirigent Musiktheater

Chor

Chordirektion

Choreographie

Chorus Director

Extra

GesangslehrerIn

Haar

Illustrator

Komposition

Korrepetition

Lehrer

Leitender Produzent

Libretto

Maske

Orchester

Orchestra Operations

Photographer

Poet

Rundfunk

Schauspiel

Stage Manager

Tongestaltung

Tänzer

Wig & Makeup Designer

Writer

Writing and performance

Übersetzung

Mezzosopran

Countertenor

Bass-Bariton

Alto

Continuo

Kinderstimme

Singer

Stumme Rolle

THE RIBBON by Carl Maria von Weber (Video 2)

DER FREISCHÜTZ von Carl Maria von Weber (Video 2)

“ Der Freischütz hit the mark,” wrote Carl Maria von Weber to his lyricist Johann Friedrich Kind in 1821, impressed by the glamorous Berlin premiere. He was right, because the Freischütz soon developed into a serial success, which after further performances degenerated into a kind of acoustic conflagration. Created immediately after the Napoleonic wars, this romantic opera about fear of failure, fragile conventions and forest spooks powerfully releases a fantasy world whose array of ghostly phenomena is simply impressive.

Max loves Agathe, the daughter of the forester Kuno. In order to marry her, he must first pass a difficult trial shot. But Max seems to have been abandoned by luck for some time, he no longer meets and is already exposed to general ridicule. In his desperation he turns to his supposed friend Kaspar, who lures him into the gloomy Wolfsschlucht to pour free balls at night: six balls will infallibly hit the desired target; the seventh, however, is for an innocent victim. Unsuspecting, Max trusts the accuracy of the seventh bullet during a test shot in front of the assembled community. He shoots and Agathe falls. As if by a miracle she is saved and Kaspar dies in her place. Max confesses to the fraud. Although he is not expelled from the community, but put another year to the test. Only then can he marry Agathe, even without a trial shot.

"Do not overlook how I benefit from the fact that half the opera is set in the dark with the dark main character," said Weber, who describes the victory over the dark forces in the Freischütz with a lot of melodic ingenuity, a roaring orchestra and motivic references.

English

Der Freischütz, op. 77 by Von Weber, Fr. 23 Apr. 2010, Ab (2010/2010), Unter der Regie von Stefan Ruzowitzky,, Dirigat Bertrand de Billy, Theater an der Wien, Wien, Österreich

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Ensemble

Programm, Über & Zusammenfassung

Videos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte