Organization

Regisseur

Jean-Claude Berutti

Dirigent

Jochem Hochstenbach

Kostuum ontwerper

Jeannie Kratochwil

Set designer

Rudy Sabounghi

Wouter Padberg

Koor meester

Martin Folz

Dramaturg

Malte Kühn

Zanger

Bass

Karsten Schröter

Der Baron Ochs auf Lerchenau

Soprano

Tineke Van Ingelgem

Die Feldmarschallin Fürstin Werdenberg

Karen Leiber

Mezzo-soprano

Janja Vuletic

Octavian

Baritone

Thomas Berau

Herr von Faninal

Einat Aronstein

Sophie

Silja Schindler

Jungfer Marianne Leitmetzerin

Tenor

Derek Rue

Valzacchi

Hélène Bernardy

Annina

Roman Ialcic

Ein Polizei-Unterkommissarius

Thorsten Büttner

Ein Wirt

Ein Sänger

Joong-Uk Chung

Der Haushofmeister bei der Feldmarschallin

Fernando Gelaf

Der Haushofmeister bei Faninal

Marc Kugel

Ein Notar

Yurj Dolgopolov

Ein Tierhändler

Hee-Gyoung Jeong

Eine Modistin

Constanze Haubrich

Erste adlige Waise

Contralto

Kristina Karmeier

Dritte adlige Waise

Sergej Snegirev

Erster Lakai

Hak-Ill Kim

Zweiter Lakai

Dritter Kellner

Dritter Lakai

Tim Heisse

Vierter Lakai

Vierter Kellner

Wolfram Winter

Erster Kellner

Andrea Azzurrini

Zweiter Kellner

Carsten Emmerich

Theater Trier

Others

Opernchor des Theaters Trier

Orchestra

Philharmonisches Orchester der Stadt Trier

Duits

Der Rosenkavalier -  (De Rozenkavalier)

Trier

Duitsland

Grosses Haus

Public

De Rozenkavalier

Approved

Is a dream, can't be real.: Der Rosenkavalier Strauss,R

The field marshal, Princess Werdenberg, is having an affair with the very young Count Octavian. Her cousin, the fortune hunter Baron Ochs, wants to marry Sophie, the daughter of the rich industrialist Faninal. At the request of the Field Marshal, Octavian is to present Sophie with the traditional silver rose. But the two young people fall in love with each other, while Ochs makes no impression on the girl with his uncouth manner. On the contrary - she refuses to marry him. A scandal ensues. Together with the schemers Annina and Valzacchi, Octavian devises a plan to publicly expose Ochs and thus prevent the marriage. Will the field marshal release her lover?
The successful premiere of Der Rosenkavalier on January 26, 1911 at the Dresden Semperoper was one of the last major operatic events of the German Empire before old Europe perished in the First World War. This mood of upheaval, the disintegration of society, can also be felt in Rosenkavalier , which is pervaded by a melancholy mood. "There is more of the past in the present than you might think," says Hofmannsthal. The great theme of the opera is the transience of love and life, which is addressed again and again by the Field Marshal. Richard Strauss expressed this in his out of joint waltzes. He wanted to write a kind of Mozart opera. Although he oriented himself towards Mozart and the Viennese classics and thereby turned away from the powerful modernity of the previous works Salome and Elektra , he wrote music at the height of his time.

English

Voorstellingscredits (Cast & Productieteam )

Cast

Productieteam

Ensemble