Name: Der Rosenkavalier
Start: 2022-04-01
End: 2022-04-01
Location: Staatsoper Unter den Linden

Organization

Festtage Berlin

Luci

Olaf Freese

Drammaturgia

Günter Jäckle

Philip Hillers

Cantante

Soprano

Camilla Nylund

La Marescialla, principessa di Werdenberg

Basso

Christof Fischesser

Il barone Ochs di Lerchenau

Mezzosoprano

Michèle Losier

Octavian

Baritono

Thomas Oliemans

Il signore di Faninal

Siobhan Stagg

Sophie

Anna Samuil

La signorina Marianne Leitmetzerin

Tenore

Karl-Michael Ebner

Valzacchi

Anna Kissjudit

Annina

Benjamin Chamandy

Un commissario di polizia

Florian Hoffmann

Il Maggiordomo della Marescialla

Spencer Britten

Il Maggiordomo di Faninal

Zilvinas Miskinis

Ein Notar

Magnus Dietrich

Un oste

Piotr Buszewski

Un cantante

Clara Nadeshdin

Una modista

Regia

André Heller-Lopes

Direzione d'orchestra

Simone Young

Costumi

Arthur Arbesser

Scenografia

Xenia Hausner

Video

Alexandra Ionis

Dan Karlström

State Opera Berlin

Orchestra

Staatskapelle Berlin

Others

Staatsopernchor Berlin

tedesco

Der Rosenkavalier -  (Il cavaliere della rosa)

Berlino

Germania

Staatsoper Unter den Linden

Der Rosenkavalier Strauss,R

Public

Private

Il cavaliere della rosa

inglese

Approvato

DER ROSENKAVALIER I Spielzeit 2019/20 I Komödie für Musik in drei Aufzügen (1911) I Musik von Richard Strauss I Text von Hugo von HofmannsthalDER ROSENKAVALI...

Trouble with relatives does not stop at the Viennese aristocracy either: the uncouth Baron Ochs auf Lerchenau interrupts the morning tête-à-tête of his cousin, the field marshal, with her young lover Octavian, in order to arrange her for his wedding plans, which are more driven by pecuniary interests to ask for help. Little does he know that Octavian, destined to be the Rosenkavalier, will eventually fall in love with the bride himself...

After the archaic-dramatic one-act operas »Salome« and »Elektra«, Richard Strauss was looking for a lighter, more cheerful subject for his next opera in the style of Mozart's operatic comedies - a suggestion that Hugo von Hofmannsthal was also happy to accept. With his libretto, he created an artificial rococo Vienna with customs and dialects that were as convincing as they were invented, which Strauss refined musically with anachronistic waltzes. In this fantasy Vienna full of joie de vivre, farces and traditional class boundaries, but also full of depression and morbidity, not only the 18th century is reflected, but even more so the Belle Époque, which is coming to an end. Strauss' score once again offers the full range of orchestral timbres, almost unrestrained indulgence, which culminates in the final trio, which is unsurpassed in terms of musical beauty, but also shows deep breaks. Only a few years before the collapse of the Danube monarchy, »Der Rosenkavalier« became the swan song for an entire era.

English

Il cavaliere della rosa by Strauss, ven 01 apr 2022, Da (2022/2022), Diretto da André Heller-Lopes,, Direttore d'orchestra Simone Young, Staatsoper Unter den Linden, Berlino, Germania

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