Organization

Direzione d'orchestra

Wojciech Semerau-Siemianowski

Regia

Jitka Stokalska

Scenografia

Lucja Kossawska

Coreografia

Natalia Fedorowa

Direzione del coro

Małgorzata Bornowska

Cantante

Tenore

Adam Zdunikowski

Gabriel von Eisentstein

Soprano

Lucyna Boguszewska

Rosalinde

Aleksandra Bałachowska

Adele

Baritono

Tomasz Łuczak

Dottor Falke

Paweł Wolski

Alfred

Bartłomiej Tomaka

Frank

Piotr Zgorzelski

Dottor Blind

Anna Rosa

Narrazione

Wiesław Łągiewka

Frosch

Andrzej Brzeskot

Ivan

Opera na Zamku

Die Fledermaus -  (Il pipistrello)

Die Fledermaus Strauss II,J

Public

Il pipistrello

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coro

Costumi

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Orchestra

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Mezzosoprano

Contralto

Controtenore

Basso

Basso-baritono

Alto

Continuo

Mimi

Voce bianca

The story, which begins in a bourgeois house, passes through the ballroom to end ... in a prison, has entertained audiences around the world for almost a century and a half. Intrigue, disguises, fights, couplets - all this creates a unique atmosphere and allows you to experience a wonderful evening at the opera, filled with singing and laughter.

"If you look closely at these three acts, it is easy to see that they represent three separate worlds: act I is a French boulevard comedy, based on brilliant dialogue, witty, surprising situations and bold eroticism; act II is a typical operetta in a new - then new - style, full of disguises and the unbelievable qui pro quo caused by them, full of dance, champagne and crowned with a mighty finale in the style of a comic opera; act III is a Viennese slapstick in Nestroy's style. Strauss had the difficult task of binding these three worlds with uniform music, imposing stylistic uniformity ". 
Lucjan Kydryński

English

Il pipistrello by Strauss II, ven 09 mar 2012, Da (2012/2012), Diretto da Jitka Stokalska,, Direttore d'orchestra Wojciech Semerau-Siemianowski

Crediti di rappresentazione (Cast e team di produzione )

Cast

Team creativo

Programma, informazioni e sinossi

Foto

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