Name: Die sieben Todsünden
Start: 2004-10-06T00:00:00.000Z
End: 2004-10-10T00:00:00.000Z
Location: Grieghallen

Organization

Singer

Soprano

Tone Kvam

1. Anna

Marius Manea

No role specified

Oddbjørn Hanto

Olav Veierød

Orest Pîsalriu-Ranghilof

Conductor

Anne Randine Øverby

Stage director

Bruno Berger-Gorski

Set designer

Dirk Hofacker

Lighting designer

Opera Bergen

Orchestra

VNO's orchestra

Die sieben Todsünden -  (The Seven Deadly Sins)

Bergen

Norway

Grieghallen

Griegsalen

Die sieben Todsünden Weill

Public

The Seven Deadly Sins

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Mezzo-soprano

Bass

Baritone

Tenor

Countertenor

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Die Sieben Todsünden is the latest in a series of collaborative projects between Kurt Weill and Bertolt Brecht. Much of the sardonic Brecht-Weill atmosphere is present here, with elements continuing from their earlier work The Twelve Shillings Opera. Weill's music is characterized by a stylistic diversity that is considered tailored to Brecht's drama, with both expressiveness, contrasts and parodic nerve.

English

Die Sieben Todsünden er det siste i rekken av flere samarbeidsprosjekter mellom Kurt Weill og Bertolt Brecht. Her er mye av den sardoniske Brecht-Weill atmosfæren til stede, med elementer som videreføres fra deres tidligere verk Tolvskillingsoperaen. Weills musikk kjennetegnes av et stilistisk mangfold som anses som skreddersydd for Brechts dramatikk, med både ekspressivitet, kontraster og parodisk nerve.

norsk

The Seven Deadly Sins by Weill, sek 10 spa 2004, Nuo (2004/2004), Režisierius Bruno Berger-Gorski,, Dirigentas Anne Randine Øverby, Grieghallen, Bergen, Norway

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