Organization

Singer

Soprano

Dagmar Pecková

1. Anna

Dancer

Lea Švejdová

2. Anna

Bass

Zdeněk Plech

Mutter

Tenor

Amir Khan

Vater

Jaroslav Březina

Bruder I

Baritone

Csaba Kotlár

Bruder II

Stage director

Barbora Horáková

Lighting designer

Jan Dörner

Costume designer

Oscar Armendariz Lucarini

Set designer

Choreographer

Marta Trpišovská

Jan Adam

Dramaturge

Ondřej Hučín

Video designer

Sergio Verde

Conductor

Jiří Rožeň

Ines Nadler

Daniel Matoušek

Petra Šimková

Sopran

National Theatre Prague

Die sieben Todsünden/Erwartung

Prague

Czech Republic

Národní divadlo (National Theatre)

Die sieben Todsünden/Erwartung: Erwartung Schoenberg,A (+1 More)

Public

Expectation

The Seven Deadly Sins

Approved

Dvě různé tváře moderní evropské opery a dva různé hudební i divadelní světy budou moci diváci Státní opery poznat během jediného večera, složeného z operníc...

The former’s Erwartung and the latter’s Die sieben Todsünden  share subject matter that may be defined as “the woman (and the world)”, which, however, these two works treat in a totally different manner. In his satirical miniature Weill shows “the woman in the world”, raising the question: what must a woman do so that her narrow-minded family consider her “virtuous”, that is, economically successful. In Schönberg’s monodrama Erwartung, Weill’s female theme is turned inside out, providing a view of “the world within the woman”. The opera takes the form of a monologue for the single character simply called Woman, expressing a plethora of contradictory emotions resulting from the loss of her lover. 

The entirely female subject of the two operas will be treated on stage by the Czech director Barbora Horáková Joly, who has primarily worked in Western Europe, where she has garnered  several coveted accolades. The music will be explored by Jiří Rožeň, one of the most gifted young Czech conductors.

English

Crèdits de representació (Repartiment i equipatge )

Repartiment

Tripulació