Name: Die Zauberflöte
Start: 2022-07-15T00:00:00.000Z
End: 2022-07-17T00:00:00.000Z
Location: Prairie Lakes Theater

Organization

Stage director

Meghan Hakes

Assistant Conductor

Duo Shen

Music preparation

Fumiyasu Kawase

Singer

Tenor

Dylan Schang

Tamino

Phillip Duda

Baritone

Holden Turner

Papageno

Colin Safley

Soprano

Juyoung Ma

Pamina

Cristina Rosheger

Kinnon Weddall

The Queen of the Night

Minju Jeong

Bass

Jongwon Choi

Sarastro

Abby Duell

Papagena

Kaitlyn Applewhite

Charles M. Anderson

Monostastos

Justin Ramm-Damron

Speaker

Brennan Cockey

Camilla Mikat

First lady

Ella Torres

Erica Jackson

Second lady

Alona Kamynina

Contralto

Tessa Morris

Third lady

Paula Duva-Rodriguez

Child vocalist

Gianna Terranova

First spirit

Abbey Diana Engelmann

Corinne Gorgas

Second spirit

Alisa Pock

Emily Lee

Third spirit

Lara Van Vuuren

Tim Widner

Lily Vance

Francis Cichock

Abbi Brundrett

Helen Hendricks

Conductor

Codruţ Bîrsan

Brian Kealy

Chicago Summer Opera

germană

Die Zauberflöte -  (The Magic Flute)

Des Plaines

United States

Prairie Lakes Theater

Die Zauberflöte Mozart

Public

The Magic Flute

Approved

Magic Flute

In a mythical land between the sun and the moon, Prince Tamino is in quite the predicament: a giant serpent threatens his life. Three ladies, who announce themselves as the servants of the Queen of the Night, save him (though the comical bird catcher Papageno tries to take credit). Showing Tamino the portrait of the beautiful Pamina, daughter of the Queen, the three ladies tell him that she has been captured by Sarastro, the Prince of the Sun. Tamino, enamored with Pamina thanks to her portrait, is then approached dramatically by the Queen of the Night herself. Tamino agrees to rescue Pamina from Sarastro’s clutches and is bestowed with a magic flute to aid his quest. Papageno, who will accompany Tamino, is given a magic set of chimes. 

Meanwhile, in Sarastro’s kingdom, Pamina is threatened by Monostatos, but Papageno’s arrival scares the villain away. Papageno, who is looking for love himself, promises Pamina that her true love is nearby. Together, they reflect on the beauty of romantic companionship. Meanwhile, Tamino encounters Sarastro, who he believes to be evil after the warning of the Queen and her servants. However, in this land of the sun and the moon, not everything is what it seems! In this Enlightenment era opera, composed in a world where the search for truth and goodness was paramount, Tamino, Pamina, and Papageno seek the light over the darkness and endure trials to determine their worthiness to enter the Temple of Light. Enlightenment looks different for each character, but working together, they are able to celebrate victory over darkness at the opera’s end.

Mozart’s final opera, a popular singspiel designed to both elucidate and entertain, is heavily influenced by Masonic ritual, imagery, and beliefs in personal growth and development. It owes much of this Masonic influence to its librettist, Emanuel Schikaneder. Tamino and Pamina’s lyrical love, Papageno and Papagena’s exuberant delight in one another, and the Queen of the Night’s famous, chilling “Der Hölle Rache kocht in meinem Herzen” are just a few of the highlights on this heroic journey towards Enlightenment.

English

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