Name: Die Zauberflöte
Start: 2016-01-16T00:00:00.000Z
End: 2016-01-30T00:00:00.000Z
Location: Teatro Real

Admin

Organization

Basso

Christof Fischesser

Sarastro

Rafał Siwek

Tenore

Joel Prieto

Tamino

Norman Reinhardt

Soprano

Ana Durlovski

Regina della Notte

Kathryn Lewek

Sophie Bevan

Pamina

Sylvia Schwartz

Baritono

Joan Martín-Royo

Papageno

Gabriel Bermúdez

Ruth Rosique

Papagena

Elena Copons

Prima dama

Gemma Coma-Alabert

Seconda dama

Mikeldi Atxalandabaso

Monostatos

Direzione d'orchestra

Ivor Bolton

Regia

Barrie Kosky

Suzanne Andrade

Costumi

Esther Bialas

Scenografia

Airam Hernández

Primo sacerdote

David Sánchez

Secondo sacerdote

Contralto

Nadine Weissmann

Terza dama

Luci

Diego Leetz

Direzione del coro

Andrés Máspero

Drammaturgia

Ulrich Lenz

Oratore

Teatro Real de Madrid

Die Zauberflöte -  (Il flauto magico)

Madrid

Spagna

Teatro Real

Public

Il flauto magico

spagnolo

inglese

Approvato

Like every month, José Luis Téllez exposes the particularities of the opera on the bill. On this occasion, the musicologist analyzes 'The Magic Flute' by Wolfgang Amadeus Mozart. Production of the Komische Oper in Berlin. At the Teatro Real from January 16 to 30, 2016. More information: www.teatro-real.com

José Luis Téllez analyzes 'The magic flute' | Teatro Real 200 years 15/16

“The sun's rays hunt the night, destroying the powers of impostors”: this is how Mozart's most mysterious opera ends, premiered on September 30, 1791 in Vienna, just a few months before his death. The dual character of the work, in which Beethoven saw the summit that brought together all the forms of singing, from the fugue to the lied - not in vain did he reconcile cultured music with the singspiel, comedy and drama–, contains a message that summarizes all the ideals of the Enlightenment. Opera about common love and sublime love, wonderful story, popular comedy, philosophical fable, confrontation between Good and Evil embodied by light and darkness..., the mosaic created by the Salzburg musician fits together such disparate pieces with brilliant mastery. . The unusual staging by Australian director Barrie Kosky is an attempt to re-code the work with the language of the beginnings of cinema, in a tribute to Buster Keaton and his generation. Kosky returns to The Magic Flute its character as a popular, fun and at the same time stimulating show.

English

“Los rayos de sol cazan a la noche, desbaratando los poderes de los impostores”: así termina la ópera más misteriosa de Mozart, estrenada el 30 de septiembre de 1791 en Viena, tan sólo unos meses antes de su muerte. El carácter dual de la obra, en la que Beethoven veía la cima que reunía todas las formas del canto, desde la fuga al lied –no en vano concilia la música culta con el singspiel, la comedia y el drama–, encierra un mensaje que resume todos los ideales de la Ilustración. Ópera sobre el amor común y el amor sublime, cuento maravilloso, comedia popular, fábula filosófica, confrontación entre el Bien y el Mal encarnados por la luz y las tinieblas…, el mosaico que crea el músico de Salzburgo encaja piezas tan dispares con genial maestría. La insólita puesta en escena del director australiano Barrie Kosky supone un intento de volver a codificar la obra con el lenguaje de los inicios del cine, en un homenaje a Buster Keaton y su generación. Kosky devuelve a La flauta mágica su carácter de espectáculo popular, divertido y al mismo tiempo estimulante.

español

Il flauto magico by Mozart, sab 23 gen 2016, Da (2016/2016), Diretto da Barrie Kosky, Suzanne Andrade,, Direttore d'orchestra Ivor Bolton, Teatro Real, Madrid, Spagna

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