Organization

Dirigat

Ivan Repušić

Regie

Petar Selem

Bühnenbild

Ivo Knezović

Kostümbild

Danica Dedijer

Chordirektion

Ana Šabašov

Lichtgestaltung

Zoran Mihanović

Choreographie

Antun Marinić

Sänger

Bass

Ivica Čikeš

Philipp II.

Luciano Batinić

Tenor

Alejandro Roy

Don Karlos

Bariton

Tito You

Marquis von Posa

Ante Jerkunica

Der Großinquisitor

Ein Mönch

Ozren Bilušić

Sopran

Gabriela Georgieva

Elisabeth von Valois

Mezzosopran

Ingebjørg Kosmo

Prinzessin Eboli

Ivana Kladarin

Thibault

Marija Kuhar Šoša

Stimme vom Himmel

Špiro Boban

Der Graf von Lerma

Saša Jakelić

Ein königlicher Herold

Vinko Maroević

HNK Split

Others

HNK Split Choir

Orchestra

HNK Split Orchestra

Don Carlos (French version) -  (Don Carlos (französische Version))

Split

Kroatien

Don Carlos Verdi

Public

Don Carlos (französische Version)

Genehmigt

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Andere

Chor

Chorus Director

Dramaturgie

Extra

GesangslehrerIn

Haar

Illustrator

Komposition

Korrepetition

Lehrer

Leitender Produzent

Libretto

Maske

Orchester

Orchestra Operations

Photographer

Poet

Rundfunk

Schauspiel

Stage Manager

Tongestaltung

Tänzer

Videogestaltung

Wig & Makeup Designer

Writer

Writing and performance

Übersetzung

Bass-Bariton

Countertenor

Alto

Continuo

Kinderstimme

Sprechrolle

Stumme Rolle

It was only deep in the second half of the 20th century that the opinion began to prevail that Don Carlos is not only Verdi's most ambitious opera, but also one of his top achievements. Perhaps the number of versions of this opera (as many as eight "authentic" versions of the score) is the most responsible for such a slow gaining of popularity and appropriate judgment. Despite this, Verdi gave the world one of the most wonderful musical dramatic poems about freedom and friendship with this opera. He made the most of all the basic ideas of Schiller's template, creating several of his most expressive characters on a broad historical background and building their mutual conflicts. With director Petar Selem,

English

Tek duboko u drugoj polovici 20. stoljeća počelo je prevladavati mišljenje da je Don Carlos ne samo Verdijeva najambicioznija opera, već i jedno od njegovih vrhunskih dostignuća. Možda je za tako sporo stjecanje popularnosti i primjerene prosudbe najzaslužnija brojnost verzija te opere (čak osam "autentičnih" verzija partiture). Unatoč tome, Verdi je ovom operom podario svijetu jednu od najdivnijih glazbeno dramskih poema o slobodi i prijateljstvu. Sve temeljne zamisli Schillerova predloška maksimalno je iskoristio, stvorivši na širokoj povijesnoj pozadini nekoliko svojih najizražajnijih likova i izgradivši njihove međusobne sukobe. Uz redatelja Petra Selema, suverenog poznavatelja cjelokupnog Verdijevog opusa i dirigenta Ivana Repušića koji je već stekao reputaciju sjajnog interpreta njegovih glazbenih zamisli, solistička podjela uključuje najzvučnija imena hrvatske operne scene te brojna imena međunarodnog opernog ugleda.

hrvatski

Don Carlos (französische Version) by Verdi, Sa. 18 Juli 2009, Ab (2009/2009), Unter der Regie von Petar Selem,, Dirigat Ivan Repušić, HNK, Split, Kroatien

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Ensemble

Programm, Info & Synopsis

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte