Name: Don Giovanni
Start: 2018-02-08T00:00:00.000Z
End: 2018-02-08T00:00:00.000Z
Location: Slovak National Theatre New Building

Organization

Conductor

Ondrej Olos

Stage director

Jozef Bednárik

Set designer

Vladimír Čáp

Costume designer

Ludmila Várossová

Choreographer

Jaroslav Moravčík

Chorus master

Ladislav Kaprinay

Baritone

Pavol Remenár

Don Giovanni

Soprano

Petra Šimková

Donna Anna

Tenor

Juraj Hollý

Don Ottavio

Bass

Jozef Benci

Commendatore

Adriana Kohútková

Donna Elvira

Peter Kellner

Leporello

Martin Mikuš

Masetto

Jana Jurícková

Zerlina

Singer

Miloslav Krajčík

Butler

Slovak National Theatre

italų

Bratislava

Slovakia

Slovak National Theatre New Building

Don Giovanni Mozart

Public

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Lighting designer

Dancer

Actor

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Contralto

Mezzo-soprano

Bass-baritone

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

Opera opera. This is how experts tend to call this work Mozart's mature genius from the last years of the master's life. What is its uniqueness? After all, the story itself - a relatively simple story of a fornicator persecuted by the victims of his passions - does not a priori presuppose the creation of an opera that should be written in history of this kind in golden letters!

If we are extremely interested in Don Giovanni , it is above all for the perfect connection of the musical language with the needs and challenges that the depicted story posed to the composer. Although Mozart does not deviate in any way from the classicist compositional style, although he does not in any way disrupt the strict stylistic "rule", he nevertheless gives the work a clear mark of originality, using all positions of musical language as a means of drawing characters and relationships. The author seems to consistently project musical material onto another medium - the surface of the subject - and every singing decoration, every harmony of voices in the ensembles, every change of tempo (and so on and so forth ...) justifies, fulfills, lets "soak" the dramatic meaning. And so, although we are used to interpreting the history of opera in their chronological sequence, Don Giovanni(as, after all, all the phenomenal works of art) seem to get out of time and space - and with a fascinating connection of music with non-musical meanings, it boldly competes with the best musical dramas of all periods and provenances!

English

Don Giovanni by Mozart, ket 08 vas 2018, Nuo (2018/2018), Režisierius Jozef Bednárik,, Dirigentas Ondrej Olos, Slovak National Theatre New Building, Bratislava, Slovakia

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