Name: Don Giovanni
Start: 1988-08-01T00:00:00.000Z
End: 1988-08-01T00:00:00.000Z
Location: Teatro alla Scala

Organization

Direzione d'orchestra

Riccardo Muti

Regia

Giorgio Strehler

Scenografia

Ezio Frigerio

Costumi

Franca Squarciapino

Baritono

Thomas Allen

Don Giovanni

Basso

Sergei Koptchak

Il Commendatore

Soprano

Edita Gruberová

Donna Anna

Tenore

Francisco Javier Ariza

Don Ottavio

Ann Murray DBE

Donna Elvira

Claudio Desderi

Leporello

Susanne Mentzer

Zerlina

Natale De Carolis

Masetto

Teatro alla Scala

Milano

Italia

"Il dissoluto punito, ossia Il Don Giovanni" is the full title of the opera, widely regarded as the most accomplished work of its genre. Fortunately, today she is known only as "Don Giovanni", a title that better evokes the hero in all his powers of seduction, his defiance of social order, his merry lechery. It is this hero that fascinated Mozart, not the "dissoluto punito" - the "punished libertine" - who harks back to the morality and conventions of the late 18th century. The work, again to a libretto by Lorenzo Da Ponte (like "Figaro" and "Così"), was written for Prague after "Figaro" had enjoyed such an overwhelming success in the Bohemian capital. It premiered there on October 29, 1787. The perfect fusion of opera buffa with opera seria is suggested by the novel designation of the opera as dramma giocoso, as a happy drama. It's a moral tale of murder, sexual exploitation and betrayal, punctuated by comedic elements that bring warmth and humanity to the whole.
The aristocrat of the conductors, the sole ruler of the baton, Riccardo Muti cuts a noble figure at the head of every orchestra and ennobles every ensemble with his charismatic personality and his hot-blooded musicality. In many ways, including his uncompromising approach to artistic matters, he is reminiscent of Arturo Toscanini, who was a demanding ruler even on the podium. His rise to international fame began with guest conducting at the Salzburg Festival in 1971 and conducting the Berlin Philharmonic and the Philadelphia Orchestra in 1972. A few years later, Muti became Principal Guest Conductor of the Philadelphia Orchestra, becoming Music Director in 1980. As a conductor of the symphonic and opera repertoire, Muti was promoted to music director of La Scala in Milan in 1986. During the 1990s, Muti cemented his reputation at the helm of this venerable institution, as well as countless other high-profile venues around the world. Today he is one of the undisputed giants among the world's leading conductors

Don Giovanni Mozart

Public

Approvato

Instrumentalist

Pianoforte

Violinista

Cellist

Violista

Suonatore di flauto

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composizione

Libretto

Coreografia

Luci

Ballerino/a

Recitazione

Direzione del coro

Video

Drammaturgia

Traduzione

Sound designer

Maestro accompagnatore

Trucco

Produzione esecutiva

Parrucco

Altro

Stage Manager

Coro

Orchestra

Poeta

Docente di canto

Insegnante

Fotografia

Emittente radiotelevisiva

Illustrator

Scrittura

Scrittura ed esecuzione

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Mezzosoprano

Singer

Contralto

Controtenore

Basso-baritono

Verbale

Voce bianca

Silenzioso

Alto

Continuo

"Il dissoluto punito, ossia Il Don Giovanni" is the full title of the opera, widely regarded as the most accomplished work of its genre. Fortunately, today she is known only as "Don Giovanni", a title that better evokes the hero in all his powers of seduction, his defiance of social order, his merry lechery. It is this hero that fascinated Mozart, not the "dissoluto punito" - the "punished libertine" - who harks back to the morality and conventions of the late 18th century. The work, again to a libretto by Lorenzo Da Ponte (like "Figaro" and "Così"), was written for Prague after "Figaro" had enjoyed such an overwhelming success in the Bohemian capital. It premiered there on October 29, 1787. The perfect fusion of opera buffa with opera seria is suggested by the novel designation of the opera as dramma giocoso, as a happy drama. It's a moral tale of murder, sexual exploitation and betrayal, punctuated by comedic elements that bring warmth and humanity to the whole.
The aristocrat of the conductors, the sole ruler of the baton, Riccardo Muti cuts a noble figure at the head of every orchestra and ennobles every ensemble with his charismatic personality and his hot-blooded musicality. In many ways, including his uncompromising approach to artistic matters, he is reminiscent of Arturo Toscanini, who was a demanding ruler even on the podium. His rise to international fame began with guest conducting at the Salzburg Festival in 1971 and conducting the Berlin Philharmonic and the Philadelphia Orchestra in 1972. A few years later, Muti became Principal Guest Conductor of the Philadelphia Orchestra, becoming Music Director in 1980. As a conductor of the symphonic and opera repertoire, Muti was promoted to music director of La Scala in Milan in 1986. During the 1990s, Muti cemented his reputation at the helm of this venerable institution, as well as countless other high-profile venues around the world. Today he is one of the undisputed giants among the world's leading conductors.

English

Don Giovanni by Mozart, lun 01 ago 1988, Da (1988/1988), Diretto da Giorgio Strehler,, Direttore d'orchestra Riccardo Muti, Teatro alla Scala, Milano, Italia

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