Name: Don Quichotte
Start: 2019-07-18T00:00:00.000Z
End: 2019-07-29T00:00:00.000Z
Location: Bregenzer Festspielhaus

Organization

Bregenzer Festspiele

Sänger

Mezzosopran

Anna Goryachova

Die Schöne Dulcinea

Bass

Gábor Bretz

Don Quichotte

Bass-Bariton

David Stout

Sancho Pansa

Sopran

Léonie Renaud

Pedro

Vera Maria Bitter

Garcías

Tenor

Paul Schweinester

Rodriguez

Patrik Reiter

Johann

Dirigat

Daniel Cohen

Regie

Mariame Clément

Bühnenbild

Julia Hansen

Lichtgestaltung

Ulrik Gad

Don Quichotte -  (Don Quijote)

Bregenz

Österreich

Bregenzer Festspielhaus

Werkstattbühne

The "Knight of the Sad Figure" has been one of the most fascinating figures in world literature for centuries. His generosity, his morality, but also his imagination impresses and inspires artists of all kinds. Don Quixote's fight against the windmills, in which he sees terrible giants, became a symbol of his identity.

On the opera stage, the French composer Jules Massenet turned him into a passionate lover. He sings a beautiful serenade to Dulcinée and brings back her stolen jewelry from the hands of dangerous robbers, yet she rejects his proposal of marriage. In Massenet's opera based on Jacques Le Lorrain's play, Don Quixote's beloved becomes a real stage character, unlike in Miguel de Cervantes' model. Massenet was enthusiastic about this idea: »It brought the element of feminine beauty into our play, and at the same time gave our Don Quixote a powerful poetic stimulus, for in this case he died out of genuine love for the beautiful Dulcinea, who had such a passion to a great extent justified.« In the opera, the knight's love becomes the driving force behind his actions. He puts his life in danger for her, as Dulcinée promised him her love if he stole her jewelry from the robbers. When they want to kill him, he touches them so much with his farewell prayer that they give him his life and jewelry.

In his music, Massenet traces the interplay of fantasy and reality. The composer skilfully lends the various dramatic situations their own musical style. With castanets and concise rhythms he illustrates Spanish village life. Dulcinée's admirers sing of her beauty in a madrigal-like tone, shimmering colors in the orchestra accompany Don Quixote's declaration of love.

The Parisian director Mariame Clément has attracted attention in recent years with productions at the Theater an der Wien, the Opéra national du Rhin Strasbourg, Oper Graz, the Opéra national de Paris, the Royal Opera House Covent Garden and the Glyndebourne Festival made.

Don Quichotte Massenet

Don Quijote

Genehmigt

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Andere

Chefdirigent Musiktheater

Chor

Chordirektion

Choreographie

Chorus Director

Dramaturgie

Extra

GesangslehrerIn

Haar

Illustrator

Komposition

Korrepetition

Kostümbild

Lehrer

Leitender Produzent

Libretto

Maske

Off-Stage Artist

On-Stage Artist

Orchester

Orchestra Operations

Photographer

Poet

Rundfunk

Schauspiel

Stage Manager

Tongestaltung

Tänzer

Videogestaltung

Wig & Makeup Designer

Writer

Writing and performance

Übersetzung

Bariton

Countertenor

Alto

Continuo

Kinderstimme

Sprechrolle

Stumme Rolle

Don Quichotte Jules Massenet

Don Quijote by Massenet, Do. 18 Juli 2019, Ab (2019/2019), Unter der Regie von Mariame Clément,, Dirigat Daniel Cohen, Bregenzer Festspielhaus, Bregenz, Österreich

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Programm, Über & Zusammenfassung

Rezensionen

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte