Name: Ein deutsches Requiem, op. 45
Start: 2021-11-10T00:00:00.000Z
End: 2021-11-10T00:00:00.000Z
Location: Chapelle Royale

Organization

Sänger

Sopran

Mari Eriksmoen

Bariton

Andrè Schuen

Dirigat

Raphaël Pichon

Ensemble Pygmalion

Opéra Royal de Versailles

Others

Choeur Pygmalion

Ein deutsches Requiem, op. 45 -  (Ein deutsches Requiem, nach Worten der heiligen Schrift)

Versailles

Frankreich

Chapelle Royale

Public

Ein deutsches Requiem, nach Worten der heiligen Schrift

Genehmigt

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Andere

Bühnenbild

Chor

Chordirektion

Choreographie

Chorus Director

Dramaturgie

Extra

GesangslehrerIn

Haar

Illustrator

Komposition

Korrepetition

Kostümbild

Lehrer

Leitender Produzent

Libretto

Lichtgestaltung

Maske

Orchester

Orchestra Operations

Photographer

Poet

Regie

Rundfunk

Schauspiel

Stage Manager

Tongestaltung

Tänzer

Videogestaltung

Wig & Makeup Designer

Writer

Writing and performance

Übersetzung

Mezzosopran

Countertenor

Tenor

Bass-Bariton

Bass

Alto

Continuo

Kinderstimme

Sprechrolle

Stumme Rolle

Ein deutsches Requiem Brahms

The German Requiem (Deutsches Requiem ) was composed by Brahms for two decades, before its premiere at Bremen Cathedral in 1868. Thirty-five years old, in full creative force, Brahms gives a work that perfectly masters the large sound masses of orchestra and choir, for a masterpiece that surpasses all comparable productions, and dominates the Brahmsian work. The colossal Funeral March which is the heart of the work ( Denn alles Fleisch ) has the force of Wagnerian choral pieces, but imbued with an inner pain, resulting from the trials of the composer's life during the genesis of this Requiem. In truth, far from being a requiem mass, this is a Trauermusik, a vast funeral music with romantic ardor, which takes as its model the old works of Schütz and Bach, and their intense Lutheran faith, to finally arrive at an entirely new composition in German, which won immense success in Germanic countries. Created at the same time as Wagner's Meistersinger , it is undoubtedly also emblematic of the German soul: its immense central fugue forges a mad ascent to the heights, before an apocalyptic vision, and the final paradise. On this eve of November 11, which links us to the First World War and its Franco-German explosion, how can we not hear this music with a premonitory sense, a musical ocean with waves carrying away the men who sing them?
Raphael Pichon approaches this monument of sacred music with the strength of his Pygmalion ensemble, experienced in the immense perspectives of Bach's passions: a path towards eternity.

English

Ein deutsches Requiem, nach Worten der heiligen Schrift by Brahms, Mi. 10 Nov. 2021, Ab (2021/2021), Dirigat Raphaël Pichon, Chapelle Royale, Versailles, Frankreich

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Ensemble

Co-Produzent

Programm, Info & Synopsis

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte