Name: Else
Start: 2021-10-08T00:00:00.000Z
End: 2021-10-10T00:00:00.000Z
Location: Teatro Ariosto

Organization

Stage director

Cecilia Ligorio

Conductor

Tito Ceccherini

Costume designer

Domenico Franchi

Set designer

Singer

Maria Eleonora Caminada

Roles

Alda Caiello

Leonardo Cortellazzi

Michele Gianquinto

I Teatri di Reggio Emilia

Others

Ensemble Risognanze

Else

Reggio Emilia

Italy

Teatro Ariosto

Else Gardella

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Off-Stage Artist

On-Stage Artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Baritone

Bass-baritone

Soprano

Bass

Contralto

Countertenor

Tenor

Alto

Child vocalist

Continuo

Silent

Spoken

ELSE | Opera in un atto da Fraulein Else by Arthur Schnitzle

Else points to the abuse of power over intimacy as a disease of our time.
Else, a nineteen year old Viennese from a good family from the early 1900s, is on vacation. A letter from her mother puts her in a rough situation: being her father in serious debt trouble, Else is pressured to ask for money from a rich family friend, old Dorsday, who is staying in the same hotel. The latter, in exchange for her favor, asks the girl to show herself naked. Shocked by the alternative between prostitution or abandoning her father to her fate, Else shows herself naked but she, disgusted at the idea of ​​being alone with the old man, she does it in public. She is delirious, faints and overwhelmed by her anguish, once alone in her room, she gives herself to death.

Schnitzler forces us on a journey into the folds of the young Else's stream of consciousness, in a solitary and violent dialogue with the shadows that inhabit her mind. There are confused real and unreal, past and future, outer and inner world, dream and hallucination. His thoughts are a circle of hopes, illusions, recriminations, anger, fear and shame.

To translate the changing scenarios that unfold in Else's soul into dramaturgy, the authors have explained the dynamics of apparitions that follow one another in the monologizing structure of the short story. A kaleidoscope of inner voices that is inspired by Schumann's Carnaval , which in every movement chases and deforms a single musical identity, as if in dialogue with its own shadow.

Else's solitude is such precisely because it is inhabited by ambiguous and perverse voices, which call and drag her to remote corners of the labyrinth of the mind, from which it will be impossible for her to return. Freudian hysteria, to use Schnitzler's words, becomes the only form of denial and resistance to the vulgarity of adults that surrounds it and ultimately devours it.

English

Else by Gardella, fr. 08 okt. 2021, Fra (2021/2021), I regi av Cecilia Ligorio,, Dirigent Tito Ceccherini, Teatro Ariosto, Reggio Emilia, Italy

Forestillingkreditter (Ensemble & produksjonsteam )

Cast

Mannskap

Ensemble

Medprodusent

Program, Informasjon & Sammendrag

Videoer

Bilder

Videre lesning

Forestillingsdatoer og spillesteder

Sted